Art and society in Italy 1350-1500
著者
書誌事項
Art and society in Italy 1350-1500
(Oxford history of art)
Oxford University Press, 1997
- : pbk
大学図書館所蔵 件 / 全40件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Bibliographical references included in "Notes" (p. 312-319)
Bibliography: p. 326-335
Includes index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780192842039
内容説明
Between the "Black Death" in the mid-14th century and the French invasions at the end of the 15th, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this text Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
- 巻冊次
-
ISBN 9780192842459
内容説明
Between the "Black Death" in the mid-14th century and the French invasions at the end of the 15th, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries. She examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
「Nielsen BookData」 より