Art in Europe 1700-1830 : a history of the visual arts in an era of unprecedented urban economic growth
著者
書誌事項
Art in Europe 1700-1830 : a history of the visual arts in an era of unprecedented urban economic growth
（Oxford history of art）
Oxford University Press, 1997
- : pbk
大学図書館所蔵 件 / 全35件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 278-301) and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780192842060
内容説明
Hogarth's pugnaciously xenophobic 'Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the 'Rococo', the 'Neo-Classical', and the 'Romantic'. He engages with crucial thematic issues such as changes in 'taste' and 'manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.
- 巻冊次
-
ISBN 9780192842466
内容説明
Hogarth's pugnaciously xenophobic "Gates of Calais", Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a vivid picture of 18th- and early 19th-century art in Europe, taking a critical view of such conventional categorizations as the "Rococo", the "Neo-Classical", and the "Romantic". He engages with crucial thematic issues such as changes in "taste" and "manners" and the impact of enlightenment notions of progress, and at the same time goes beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a holistic survey which sets the art of the period firmly in its social history.
「Nielsen BookData」 より
