The making of Peter Grimes
著者
書誌事項
The making of Peter Grimes
Boydell, 1996
[Facsim. of 1945 ed.]
- :set
- V. 1
- V. 2
楽譜(印刷)(スコア)
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Description based on v. 2
Oper for 3 acts
English words
Notes and commentaries in English
Select bibliography: V. 2, p. 239-244
V 1.:Facsimile of Benjamin Britten's composition draft. V. 2.:Notes and commentaries / Paul Banks, Philip Brett, Benjamin Britten, Eric Crozier, Donald Mitchell, Peter Pears, Philip Reed, Rosamund Strode
内容説明・目次
内容説明
Facsimile of the composition draft of Peter Grimes, showing Britten's compositional method; companion volume containing essays on its history and significance.
Peter Grimes, Benjamin Britten's first opera, established his stature as a composer, marked a turning point in the fortunes of English opera, and conquered operatic stages around the world. Though its setting and music reflect Britten's greatlove for his native East Anglia, the inspiration for the work was a chance encounter with the poetry of George Crabbe while Britten and the tenor Peter Pears (who eventually created the title role) were stayingin California in 1941; they made a number of draft scenarios while they waited for a passage to England, and after their return Montagu Slater was asked to write the libretto. The full score was completed by February 1945.
The single document that reveals most about the work's creative history is the composition draft in which the composer wrestled with text and music, gradually fashioning the opera into its final version. The colour facsimile of this fascinating manuscript is published to coincide with the 50th anniversary of its first production. It is accompanied by a commentary volume containing a series of essays on the work's history and its contemporary significance by leading Britten scholars, together with a brief note on the work by PETER PEARS(apparently never before published) and an account of the first production by the late ERIC CROZIER, who directed it. The volume is illustrated with colour reproductions of some of the original costume designs by Kenneth Green, his portrait of BenjaminBritten, and contemporary black and white photographs.
目次
- Volume I: the composition draft. Volume II: Introduction (1945), Benjamin Britten
- "Peter Grimes" (1945), Peter Pears
- notes on the production of "Peter Grimes" (1946), Eric Crozier
- chronology, Philip Reed
- "Peter Grimes" - the growth of the libretto, Philip Brett
- finding the right notes, Philip Reed
- the later history of the composition draft, Rosamund Strode
- "Peter Grimes" - 50 years on, Donald Mitchell
- bibliographical notes and narratives, Paul Banks
- personalia, Philip Reed.
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