The photomontages of Hannah Höch
著者
書誌事項
The photomontages of Hannah Höch
Walker Art Center, c1996
- : hc : alk. paper
- : pbk
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注記
Exhibition catalogue
Exhibition organized by the Walker Art Center, Minneapolis, and held Oct. 20, 1996-Feb. 2, 1997 at the Center, Feb. 26-May, 20, 1997 at the Museum of Modern Art, New York, and June 26-Sept. 14, 1997 at the Los Angeles County Museum of Art
Includes bibliographical references (p. 217-220) and indexes
内容説明・目次
内容説明
One of the most important artistic figures of the Weimar Republic, Hannah Hoch is primarily known as a pioneer in photomontage, for her influence on the development of 20th-century collage, and for her involvement with the Dada movement. This work is the catalogue to a major exhibition organized by the Walker Art Center, Minneapolis, and celebrates the first comprehensive survey of her work by an American museum. It presents a complete retrospective of Hoch's photomontages, with over 100 colour plates, three essays and an illustrated chronology. The text discusses Hoch's critique of mass media's treatment of gender roles, attitudes towards race, the social impact of technology and the rise of fascism, and celebrates her relationship to this century's major art movements, such as Surrealism and Pop Art.
目次
- Hannah Hoch - through the looking glass
- exhibition plates 1-35 - the Dada years
- by design - the early works of Hannah Hoch, in context
- exhibition plates 26-47 - the interwar period
- the later adventures of Dada's "Good girl" - the photomontages of Hannah Hoch after 1933
- World War II and beyond.
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