Studies in the performance of late mediaeval music
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Bibliographic Information
Studies in the performance of late mediaeval music
Cambridge University Press, 1983
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Note
"The papers ... represent the proceedings of a conference on early music performance that was held in New York in the autumn of 1981 as part of the activities of a new Center for Early Music at New York University"--Pref
Includes bibliographical references and indexes
Contents of Works
- Fifteenth-century northern book painting and the a̲ c̲a̲p̲e̲l̲l̲a̲ question / James W. McKinnon
- The visualisation of music through pictorial imagery and notation in late mediaeval France / Tilman Seebass
- The trecento harp / Howard Mayer Brown
- The "reconstruction" of instrumental music / Wulf Arlt
- Minesis and woodwind articulation in the fourteenth century / Margaret Paine Hasselman and David McGown
- Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows
- The performing ensemble for English church polyphony, c. 1320-c. 1390 / Roger Bowers
- Some evidence for French influence in northern Italy, c. 1400 / Anne Hallmark
- Parts with words and without words / Alejandro Enrique Planchart
- Fourteenth-century music with texts revealing performance practice / Ursula Günther