Studies in the performance of late mediaeval music

書誌事項

Studies in the performance of late mediaeval music

edited by Stanley Boorman

Cambridge University Press, 1983

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注記

"The papers ... represent the proceedings of a conference on early music performance that was held in New York in the autumn of 1981 as part of the activities of a new Center for Early Music at New York University"--Pref

Includes bibliographical references and indexes

収録内容
  • Fifteenth-century northern book painting and the a̲ c̲a̲p̲e̲l̲l̲a̲ question / James W. McKinnon
  • The visualisation of music through pictorial imagery and notation in late mediaeval France / Tilman Seebass
  • The trecento harp / Howard Mayer Brown
  • The "reconstruction" of instrumental music / Wulf Arlt
  • Minesis and woodwind articulation in the fourteenth century / Margaret Paine Hasselman and David McGown
  • Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows
  • The performing ensemble for English church polyphony, c. 1320-c. 1390 / Roger Bowers
  • Some evidence for French influence in northern Italy, c. 1400 / Anne Hallmark
  • Parts with words and without words / Alejandro Enrique Planchart
  • Fourteenth-century music with texts revealing performance practice / Ursula Günther
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