Writing women in late imperial China
著者
書誌事項
Writing women in late imperial China
Stanford University Press, c1997
- : cloth
- : pbk
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
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注記
Bibliography: p. [479]-501
Includes index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780804728713
内容説明
Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900.
An opening section on courtesans details the lives of individual women and their male admirers-contemporary and subsequent-who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved.
The third section takes up the issue of contextualization: how male writers situated women's poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China's greatest work of fiction, Dream of the Red Chamber, first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.
目次
Contributors Introduction Ellen Widmer Part I. Writing the Courtesan: 1. Ambiguous images of courtesan culture in late imperial China Paul S. Ropp 2. The late Ming courtesan: invention of a cultural ideal Wai-yee Li 3. The written word and the bound foot: a history of the courtesan's aura Dorothy Ko 4. Desire and writing in the late Ming play Parrot Island Katherine Carlitz 5. Women in Feng Menglong's Mountain Songs Yasushi Oki Part II: Norms and Selves 6. Ming and Qing anthologies of women's poetry and their selection strategies Kang-i Sun Chang 7. Changing the subject: gender and self-inscription in authors' preafaces and Shi poetry Maureen Robertson Part III. Poems in Context: 8. Writing her way out of trouble: Li Yuying in history and fiction Ann Waltner 9. Embodying the disembodied: prepresentaions of ghosts and the feminine Judith T. Zeitlin 10. De/constructing a feminine ideal in the eighteenth century: random records of West-Green and the story of Shuangqing Grace S. Fong Part IV. 'Hong lou meng': 11. Womens writing before and within the Hong lou meng Huan Saussy 12. Beyong stereotypes: the twelve beauties in Qing court art and the Dream of the Red Chamber Wu Hung 13. Ming Loyalism and the women's voice in fiction after Hong lou meng Ellen Widmer Postface: Chinese women in a comparative perspective: a response Nancy Armstrong Reference matter Notes Works cited Character list Index.
- 巻冊次
-
: pbk ISBN 9780804728720
内容説明
Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900.
An opening section on courtesans details the lives of individual women and their male admirers-contemporary and subsequent-who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved.
The third section takes up the issue of contextualization: how male writers situated women's poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China's greatest work of fiction, Dream of the Red Chamber, first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.
目次
- Contributors
- Introduction Ellen Widmer
- Part I. Writing the Courtesan: 1. Ambiguous images of courtesan culture in late imperial China Paul S. Ropp
- 2. The late Ming courtesan: invention of a cultural ideal Wai-yee Li
- 3. T he written word and the bound foot: a history of the courtesan's aura Dorothy Ko
- 4. Desire and writing in the late Ming play Parrot Island Katherine Carlitz
- 5. Women in Feng Menglong's Mountain Songs Yasushi Oki
- Part II: Norms and Selves
- 6. Ming and Qing anthologies of women's poetry and their selection strategies Kang-i Sun Chang
- 7. Changing the subject: gender and self-inscription in authors' preafaces and Shi poetry Maureen Robertson
- Part III. Poems in Context: 8. Writing her way out of trouble: Li Yuying in history and fiction Ann Waltner
- 9. Embodying the disembodied: prepresentaions of ghosts and the feminine Judith T. Zeitlin
- 10. De/constructing a feminine ideal in the eighteenth century: random records of West-Green and the story of Shuangqing Grace S. Fong
- Part IV. 'Hong lou meng': 11. Womens writing before and within the Hong lou meng Huan Saussy
- 12. Beyong stereotypes: the twelve beauties in Qing court art and the Dream of the Red Chamber Wu Hung
- 13. Ming Loyalism and the women's voice in fiction after Hong lou meng Ellen Widmer
- Postface: Chinese women in a comparative perspective: a response Nancy Armstrong
- Reference matter
- Notes
- Works cited
- Character list
- Index.
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