The folk performing arts : traditional culture in contemporary Japan
著者
書誌事項
The folk performing arts : traditional culture in contemporary Japan
State University of New York Press, c1997
- : hc
- : pb
大学図書館所蔵 件 / 全51件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 185-195) and index
内容説明・目次
内容説明
CHOICE 1997 Outstanding Academic Books
This is the first full-length study in English of Japan's folk performing arts covering such topics as the different categories of presentations, public policies affecting the folk performing arts, performance events within and without communities, and the folk performing arts in literature. Throughout, it addresses issues concerning the survival and preservation of traditional culture in contemporary Japan.
Once largely unknown outside of their local community settings, Japan's folk performing arts have today captured universal attention. In Japan, almost every municipality is home to one or more of the diverse dramatic, dance, narrative, and musical presentations that make up the folk performing arts. They can be seen at events that range from long-established festivals to newly created folk-culture and tourist programs.
Since the 1920s, a growing body of work by folklorists, theater historians, and other academic specialists, together with literary treatment by well-known authors, brought the folk performing arts into the national cultural spotlight. The postwar Cultural Properties Protection Law conferred on them the status of legally designated cultural assets.
目次
Illustrations
Acknowledgments
A Note Regarding Names and Dates
Introduction
1. Overview
Seeing the Folk Performing Arts Today
The Categories
Other Classification Systems
Puppets on Strings, Actors on Floats
Community and Performance: The Beginnings
2. A History of Scholarship in the Folk Performing Arts
First Steps
Cultural Assets
New Directions
3. The Cultural Properties Protection Law
Prior to the Law
Under the Law
Administering the Folk Performing Arts
The Folk Performing Arts as Cultural Properties
4. The Festival Law
Background
The Folk Performing Arts Promotion Center
The Scholarly Community Weighs In
5. The Folk Perfoming Arts on Center Stage
Conventions
Summits and Festivals
Museum as Stage
The National Theatre
Shows for Tourists
Travel Abroad
Study and Performance Groups
Video
6. Communities and Their Folk Performing Arts Today
Awaji Ningyo-joruri
Itabashi no Taasobi
Mibu Kyogen
Kurokawa No
Hayachine Kagura
7. A Model for a National Folk Performing Arts Theater: The Saitama Prefectual Folk Culture Center
The Folk Performing Arts of Saitama Prefecture
The Activities of the Center
A National Folk Performing Arts Theater: Pros and Cons
8. The Folk Performing Arts in Literature
Shimazaki Toson: Village Kabuki
Tanizaki Jun'ichiro: Kagura and Chaban
Tanizaki and Uno Chiyo: The Puppet Arts of Awaji and Awa
Inoue Yasushi: Lion Dances
9. Toward the Future
Appendix: Nationally Designated Important Intangible Folk Cultural Properties
Notes
Bibliography
Index
「Nielsen BookData」 より