Theft of an idol : text and context in the representation of collective violence

Bibliographic Information

Theft of an idol : text and context in the representation of collective violence

Paul R. Brass

(Princeton studies in culture/power/history)

Princeton University Press, c1997

  • : pbk

Available at  / 21 libraries

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Note

Includes bibliographical references and index

Description and Table of Contents

Volume

: pbk ISBN 9780691026503

Description

As collective violence erupts in many regions throughout the world, we often hear media reports that link the outbreaks to age-old ethnic or religious hostilities, thereby freeing the state, its agents, and its political elites from responsibility. Paul Brass encourages us to look more closely at the issues of violence, ethnicity, and the state by focusing on specific instances of violence in their local contexts and questioning the prevailing interpretations of them. Through five case studies of both rural and urban public violence, including police-public confrontations and Hindu-Muslim riots, Brass shows how, out of many possible interpretations applicable to these incidents, government and the media select those that support existing relations of power in state and society. Adopting different modes--narrator, detective, and social scientist--Brass treats incidents of collective violence arising initially out of common occurrences such as a drunken brawl, the rape of a girl, and the theft of an idol, and demonstrates how some incidents remain localized while others are fit into broader frameworks of meaning, thereby becoming useful for upholders of dominant ideologies. Incessant talk about violence and its implications in these circumstances contributes to its persistence rather than its reduction. Such treatment serves in fact to mask the causes of violence, displace the victims from the center of attention, and divert society's gaze from those responsible for its endemic character. Brass explains how this process ultimately implicates everyone in the perpetuation of systems of violence.

Table of Contents

List of Figures and Tables ix Preface xi List of Abbreviations xv CHAPTER 1 Text and Context 3 CHAPTER 2 Background 32 CHAPTER 3 Theft of an Idol 58 CHAPTER 4 Rape at Daphnala 97 CHAPTER 5 Horror Stories 129 CHAPTER 6 Horror Stories Untold 177 CHAPTER 7 Kala Bachcha: Portrait of a BJP Hero 204 CHAPTER 8 Conclusion 260 Index 289
Volume

ISBN 9780691026510

Description

As collective violence erupts in many parts of the world, the media often links this to age-old ethnic or religious hostilities, thereby freeing the state, its agents and its political elites from responsibility. This book encourages readers to look more closely at the issues of violence, ethnicity and the state by focusing on specific instances of violence in their local contexts and questioning the prevailing interpretations of them. Through five case studies of both rural and urban public violence, including police-public confrontations and Hindu-Muslim riots, this book shows how, out of many possible interpretations applicable to these incidents, governments and the media select those that support existing relations of power in state and society. Adopting different modes (narrator, detective and social scientist) Brass treats incidents of collective violence arising intitially out of such common occurences as a drunken brawl, the rape of a woman and the theft of an idol, and demonstrates how some incidents remain localized whilst others are fit into broader frameworks of meaning, thereby becoming useful for upholders of dominant ideologies. He argues that incessant talk about violence and its implications in these circumstances contributes to its persistence rather than to its reduction. Such treatment, he claims, serves in fact to mask the causes of violence, displace the victims from the centre of attention and divert society's gaze from those responsible for its endemic character. He explains how this process ultimately implicates everyone in the perpetuation of systems of violence.

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