The language of the heart, 1600-1750

Bibliographic Information

The language of the heart, 1600-1750

Robert A. Erickson

(The new cultural studies series)

University of Pennsylvania Press, c1997

Available at  / 21 libraries

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Note

Includes bibliographical references (p. [255]-265) and index

Description and Table of Contents

Description

In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these other-and mostly English-literary, medical, religious, and philosophical texts, Erickson uncovers two ruling clusters of metaphors: one associating the heart with language, writing, and thought, the other with sex, passion, and gender. Charting the tension between the two, he offers a brilliant new reading of one of the central symbols in Western culture.

Table of Contents

Preface Acknowledgments Introduction: Writing the Heart from Plato to Hobbes 1 The Biblical Heart 2 The Phallic Heart: William Harvey's The Motion of the Heart and "The Republick of Literature" 3 The Heart of Eve: Satan and Eve in Paradise Lost 4 The Generous Heart: Aphra Behn, Oroonoko, and the Woman Writer 5 The Written Heart: Clarissa, Lovelace, and Scripture Notes Works Cited Index

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