Whose master's voice? : the development of popular music in thirteen cultures
著者
書誌事項
Whose master's voice? : the development of popular music in thirteen cultures
（Contributions to the study of music and dance, no. 41）
Greenwood Press, 1997
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
What are the interactions between transnational communication and national cultures? This work attempts to answer this critical question in the study of culture and communication. It takes as its vehicle of study the music industry and music making in 13 different cultures, presenting an insider's view of a global cultural experience. Of interest to musicologists and sociologists alike, plus anyone fascinated by distant cultures and how they are affected by external as well as internal communication systems.
The chapters are a collection of research findings produced for the International Communications and Youth Cultures Consortium (ICYC), an informal group of international scholars in many disciplines who are committed to understanding the economic and social factors that influence cultures and youth. Their point of view in this work is their individual country and the tensions that arise from the development of international communication systems. Each view is from inside the country; external influences are not subjects of study in themselves but are viewed as part of a complex scene along with other variables operating in various national situations.
目次
Tables Preface Introduction The Australian Rock Music Scene by Susanna Agardy and Lawrence Zion Culture, Media and the Music Industry in Brazil by Nelly de Camargo The English Experience by Alison J. Ewbank Popular Music and the Music Industry in Greece by Fouli T. Papageorgiou A Brief History of Music Production in Hawaii by Elizabeth B. Buck Music in India: A Look at Something Different by Usha Vyasulu Reddy The Israeli Musical Environment: Cultural Heritage and Sociocultural Change by Hanna Adoni Local Musicians in Jamaica: A Case Study by Marlene Cuthbert and Avonie Brown Interactions of Imported and Indigenous Musics in Japan: A Historical Overview of the Music Industry by Toru Mitsui The Problem of Our Time: Culture or Industrial Culture? Musical Creation or Industrialized Musical Products? The Spanish Case by Blanca Munoz Seeking the Best Integration: Popular Music in Taiwan by Georgette Wang Visceral Vibes and a Place in the Sun: U.S. Popular Music by Deanna Campbell Robinson, Jack Banks, and Nancy Breaux Uruguayan Popular Music: Notes on Recent History by Carlos Alberto Martins and Carlos Dumpierrez Index
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