Bibliographic Information

Aesthetic theory

Theodor W. Adorno ; Gretel Adorno and Rolf Tiedemann, editors ; newly translated, edited, and with a translator's introduction by Robert Hullot-Kentor

Athlone Press, 1997

Other Title

Ästhetische Theorie

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Note

Original ed. published: Frankfurt am Main : Suhrkamp, c1970

Includes bibliographical references and index

Description and Table of Contents

Description

Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation 'art is the sedimented history of human misery'. Edited by Gretel Adorno and Rolf Tiedeman Translated by Robert Hullot-Kentor.

Table of Contents

  • Art, Society, Aesthetics
  • Situation
  • On the Categories of the Ugly, the Beautiful and Technic
  • Natural Beauty
  • Art Beauty: Apparition, Spiritualization, Intuitability
  • Semblance and Expression
  • Enigmaticalness, Truth-content, Metaphysics
  • Coherence and meaning
  • Subject-object
  • Toward a Theory of the Artwork
  • Universal and Particular
  • Society. Appendices: Paralipomena
  • Theories on the Origin of Art. Afterword by Robert Hullot-Kentor.

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Details

  • NCID
    BA31597579
  • ISBN
    • 0485300699
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Original Language Code
    ger
  • Place of Publication
    London
  • Pages/Volumes
    xxi, 383 p.
  • Size
    24 cm
  • Classification
  • Subject Headings
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