Islamic patterns : an analytical and cosmological approach
著者
書誌事項
Islamic patterns : an analytical and cosmological approach
Thames and Hudson, 1976
大学図書館所蔵 全18件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
For centuries the nature and meaning of Islamic art has been misunderstood in the West, being regarded as no more than decoration. But in fact the abstract art of Islam represents the sophisticated development of a supra-naturalistic tradition, since the portrayal of human and animal forms has always been discouraged by the Prophet Muhammad, so as to avoid idolatry. Hence, among the world's great artistic traditions, Islamic art has maintained its singular integrity and inner content with the least diversion from its aim: the affirmation of unity as expressed in diversity.
The Pythagorean/Platonic doctrines are easily recognizable in the body of Islamic geometric art, as the wisdom of this practice was exalted by Socrates, in Plato's Republic dialogue (527), when he specifically gave the reason for practising geometry. Its practice rekindled the inner organ (or eye of wisdom) by which alone we can see the truth. The geometrical patterns of Islamic art reveal to the eye of the sensitive onlooker the intrinsic cosmological laws affecting all Creation. The primary function of these patterns is to lead the mind from the literal and mundane world towards the underlying permanent reality.
The numerous sequential drawings show how the art of Islam is inseparable from the science of mathematics. Thus, we can see clearly how an Earth-centred - 'common-sense' - view of the cosmos gives renewed signficance to the number patterns produced by the orbits of the planets, correlating the cosmos as experienced by man with the patterns created in Islamic art, and thereby throwing new light on the perennial symbolic significance of number. The mathematical tessellations inherent in space-filling patterns are revealed as an essential practical and philosophical basis for the creation of each completed work of art - whether a tile, a carpet, a wall or an entire building - and thus affirm the underlying essential unity of all things.
目次
- The point of departure
- the manifestation of shape
- magic squares
- pattern and cosmology
- the pentagon
- the tetractys
- the mathematics of two-dimensional space-filling
- the circle and cosmic rhythms
- specimen Islamic patterns.
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