The past as text : the theory and practice of medieval historiography
Author(s)
Bibliographic Information
The past as text : the theory and practice of medieval historiography
(Parallax : re-visions of culture and society)
Johns Hopkins University Press, c1997
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Postmodernism has challenged historians to look at historical texts in a new way, and to be skeptical of the claim that one can confidently retrieve "fact" from historical writings. In "The Past as Text" historian Gabrielle M. Spiegel sets out to read long-familiar mediaeval histories and chronicles in light of the critical-theoretical problems raised by postmodernism. At the same time she urges a method of analysis that enables the reader to recognize these texts simultaneously as artifice and as works deeply embedded in a historically determinate, knowable social world. Arguing for the "social logic of the text", Spiegel provides historians with a way to retrieve the social significance and conceptual claims produced by these mediaeval writings. Spiegel begins by providing the theoretical basis for the study of mediaeval historiography. She then demonstrates this theory in practice, offering readings of mediaeval histories and chronicles as literary, social and political constructions.
Spiegel concludes that the historian should be equally aware of the discursive nature, literary modes and ideological investments of such texts as the social circumstances to which they were applied and by which they were generated.
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