Interventions : feminist dialogues on Third World women's literature and film
Author(s)
Bibliographic Information
Interventions : feminist dialogues on Third World women's literature and film
(Gender, culture, and global politics, v. 1)(Garland reference library of the humanities, vol. 1943)
Garland, 1997
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The editors are committed to destroying perceptions and stereotypes of third world women as passive victims who need to be "liberated" by Western feminists. The essays address cases in which women have challenged and resisted the political formations-nationalist struggles, revolutions, religious fundamentalist practices, and authoritarian regimes-that shape their daily lives. Each critic presents a close reading of the circumstances under which the feminist writers and film-makers.
Table of Contents
The Intervening Configuration: Gender and Feminist Practice: National Identities, Tradition, and Feminism: The Novels of Ama Ata Aidoo Read in the Context of the Works of Kwame Nkrumah, Nationalism and Feminism in the Writings of Santa Devi and Sita Devi, Mother-Country and Fatherland: Re-Membering the Nation in Sara Suleri's Meatless Days, Race, Gender, and the Caribbean Narrative of Revolution, The Transformation of Nation and Womanhood: Revisionist Mythmaking in the Poetry of Nicaragua's Gioconda Belli, The Censored Argentine Text: Griselda Gambaro's Ganarse la Muerte and Reina Roffe's, Transgressions: Female Desire and Postcolonial Identity in Contemporary Indian Women's Cinema, The Intervening Discourse: Problematizing Transnational Feminist Dialogues: Feminist Critiques of Nationalism and Communalism from Bangladesh and India: A Transnational Reading, Of Tortillas and Texts: Postcolonial Dialogues in the Latin American Testimonial, Writing the Difference: Feminists' Invention of the "Arab Woman", Third World Women's Cinema: If the Subaltern Speaks, Will We Listen?, From Third World Politics to First World Practices: Contemporary Latina Writers in the United States
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