Sound theory, sound practice
著者
書誌事項
Sound theory, sound practice
（AFI film readers）
Routledge, 1992
- : hb
- : pb
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注記
Includes bibliographical references (p. 271-282) and index
内容説明・目次
- 巻冊次
-
: hb ISBN 9780415904568
内容説明
"Sound Theory/Sound Practice" is divided into three major sections: Theoretical Perspectives, Historical Speculations, and Neglected Domains. The entire volume is marked by a revised understanding of cinema and particularly film sound. Individual essays cover such diverse topics as the conversion to sound, cartoon sound, documentary sound, and voices of women in third-world cinema. This collection combines unpublished articles by established scholars who first attracted academic attention to cinema sound - Altman, John Belton, Michel Chion, and Alan Williams - with work written by a new generation of sound-sensitive scholars. Seeking to broaden the previous field of research on sound, "Sound Theory/Sound Practice" promises to renew the debate over the importance of sound to cinema, from a theoretical as well as a historical perspective.
目次
- General introduction - cinema as event
- the material heterogeneity of recorded sound, Rick Altman. Part 1 Theoretical perspectives: four-and-a-half film falacies, sound space, Rick Altman
- reading, writing, and representing sound, Jim Lastra
- she sang live, but the microphone was turned off - the live, the recorded, and the subject of representation, Steve Wurtzler
- wasted words, Michel Chion. Part 2 Historical speculations: sound/history, [conversion to sound], Alan Williams
- translating America - the Hollywood multilinguals 1929-1933, Natasa Durovicova
- 1950s Magnetic Sound - the frozen revolution John Belton. Part 3 Neglected domains: sound's dark corners
- women's voices in Third World cinema, Amy Lawrence
- the sound of early Warner Bros. Cartoons, Scott Curtis
- imagining the sound(s) of Shakespeare - film sound and adaptation, Mary Pat Klimek
- conventions of sound in documentary, Jeff Ruoff
- let there be sound - the films of Andrei Tarkovsky
- afterword - a baker's dozen of new terms for sound analysis
- works cited.
- 巻冊次
-
: pb ISBN 9780415904575
内容説明
Dramatically broadening the previous field of research on sound, Sound Theory/Sound Practice promises to renew the debate over the importance of sound to cinema, from a theoretical as well as a historical perspective.
目次
General Introduction: Cinema as Event 1. The Material Heterogeneity of Recorded Sound Part One: TheoreticalPerspectives Introduction: Four-and-a-half Film Fallacies 2. Sound Space Rick Altman 3. Reading, Writing, and Representing Sound Jim Lastra 4. She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation Steve Wurtzler 5. Wasted Words Michel Chion Part Two: Historical Speculations Introduction: Sound/History 6. [Conversion to Sound] AlanWilliams 7. Translating America: The Hollywood Multilinguals 1929-1933 Natasa Durovicova 8. 1950s Magnetic Sound: The Frozen Revolution John Belton Part Three: Neglected Domains Introduction: Sound's Dark Corners 9. Women's Voices in Third World Cinema AmyLawrence 10. The Sound of Early Warner Bros. Cartoons Scott Curtis 11. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation Mary Pat Klimek 12. Conventions of Sound in Documentary Jeff Ruoff 13. Let There Be Sound: The Films of Andrei Tarkovsky Andrea TruppinAfterword: A Baker's Dozen of New Terms for Sound Analysis Notes Works Cited
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