Indirect procedures : a musician's guide to the Alexander technique
著者
書誌事項
Indirect procedures : a musician's guide to the Alexander technique
Clarendon Press, 1997
- : cloth
- : pbk.
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注記
Includes bibliographical references (p. [301]-304) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780198165682
内容説明
The problems of a musician may have many causes and many possible solutions. While working conditions, stress, and instrument and furniture design are all significant factors, the most important aspect of a musician's life remains not what is done to them, but what they do to themselves. F.M. Alexander (1869-1955) saw the individual as a whole, and talked not of "the body" but of "the self"; not of "posture", but of "use". The aim of his technique is not to teach you to do what is right, but to help you stop doing what is wrong, through a series of practical procedures which awaken awareness and allow development of innate potential. The Alexander Technique applies to all areas of musical activity, from technique, sound production, and interpretation, to daily practice, rehearsal routines, and the mitigating of stage fright and health problems. This text explains the concept of the technique and shows how it can be applied to musicianship.
- 巻冊次
-
: pbk. ISBN 9780198165699
内容説明
The problems of a musician may have many causes and many possible solutions. While working conditions, stress, and instrument and furniture design are all significant factors, the most important aspect of a musician's life remains not what is done to them, but what they do to themselves. F.M. Alexander (1869-1955) saw the individual as a whole, and talked not of 'the body' but of 'the self'; not of 'posture', but of 'use'. The aim of his technique is not to teach you to do what is right, but to help you stop doing what is wrong, through a series of practical procedures which awaken your awareness and allow you to develop your innate potential. The Alexander Technique applies to all areas of musical activity, from technique, sound production, and interpretation, to daily practice, rehearsal routines, and the mitigating of stage fright and health problems. This book, by an experienced professional musician and Alexander teacher, is the first to deal specifically with the applications of the Technique to music making.
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