The struggle for utopia : Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946
Author(s)
Bibliographic Information
The struggle for utopia : Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946
University of Chicago Press, 1997
- : hbk
- : pbk
Available at 29 libraries
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Note
Includes bibliographical references and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780226505152
Description
Following World War I, a new artistic-social avant-garde emerged with the ambition to involve the artist in the building of social life. This project is exemplified in the lives of Alexander Rodchenko, El Lissitzky and Laszlo Moholy-Nagy, whose careers, which covered a broad range of practices and political situations, are studied in this text. Through close readings of their work Margolin examines the way these three artists negotiated the changing relations between their social ideals and the political realities they confronted. He traces their careers through the 1920s and 1930s in Moscow, Berlin and Chicago, documenting their contributions to Utopian architecture, Constructivist ideology, industrial design, photography, visual communication and design education. Each essay adopts a chronological perspective, beginning with the Bolshevik revolution in Russia and ending with Chicago after World War II. Focusing on the difficult relationship between art and social change, the author seeks to bring new insights to our understanding of the avant-garde's role in a period of great political complexity.
Table of Contents
Illustrations Acknowledgments Introduction 1: Visions of the Future: Rodchenko and Lissitzky, 1917-1921 2: Constructivism in Germany: Lissitzky and Moholy-Nagy, 1922-1923 3: Inventing the Artist-Constructor: Rodchenko, 1922-1927 4: The Politics of Form: Rodchenko and Moholy-Nagy, 1922-1929 5: Representing the Regime: Lissitzky and Rodchenko, 1930-1941 6: Design for Business or Design for Life? Moholy-Nagy, 1937-1946 Epilogue Index
- Volume
-
: pbk ISBN 9780226505169
Description
Following 1917, a new artistic-social avant-garde emerged aiming to engage the artist in the building of social life. Through close readings of the works of Alexander Rodchenko, El Lissitzky and Laszlo Moholy-Nagy, this book examines the way in which these three artists negotiated the changing relations between their social ideals and political realities they confronted.
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