Language, rhythm, & sound : black popular cultures into the twenty-first century

著者

    • Adjaye, Joseph K.
    • Andrews, Adrianne R.

書誌事項

Language, rhythm, & sound : black popular cultures into the twenty-first century

edited by Joseph K. Adjaye and Adrianne R. Andrews

University of Pittsburgh Press, c1997

  • :cloth
  • :pbk

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注記

Includes bibliographical references (p. 293-310) and index

内容説明・目次

巻冊次

:cloth ISBN 9780822939672

内容説明

Focusing on expressions of popular culture among blacks in Africa, the United States and the Caribbean, this collection of 15 multidisciplinary essays takes on a range of subjects, from American girls' Double Dutch games to protest discourse in Ghana; from Terry McMillan's "Waiting to Exhale" to the work of Zora Neale Hurston; from South African workers to "Just Another Girl on the IRT"; from the history of Rasta to the evolving significance of kente cloth; from rap video music to hip-hop to zouk. The book places black popular culture into a global context, with an emphasis on the triangular flow of culture linking Africa, the Caribbean and the United States. "Language, Rhythm, and Sound" seeks to demonstrate the continuity of black cultural forms from the African past into the future while simultaneously illuminating ongoing transformations in these forms. It contends that black culture everywhere functions to give meaning to people's lives by constructing identities that resist cultural, capitalist, colonial and postcolonial domination.
巻冊次

:pbk ISBN 9780822956204

内容説明

Focusing on expressions of popular culture among blacks in Africa, the United States, and the Carribean this collection of multidisciplinary essays takes on subjects long overdue for study. Fifteen essays cover a world of topics, from American girls\u2019 Double Dutch games to protest discourse in Ghana; from Terry McMillan\u2019s Waiting to Exhale to the work of Zora Neale Hurston; from South African workers to Just Another Girl on the IRT; from the history of Rasta to the evolving significance of kente clothl from rap video music to hip-hop to zouk. The contributors work through the prisms of many disciplines, including anthropology, communications, English, ethnomusicology, history, linguistics, literature, philosophy, political economy, psychology, and social work. Their interpretive approaches place the many voices of popular black cultures into a global context. It affirms that black culture everywhere functions to give meaning to people\u2019s lives by constructing identities that resist cultural, capitolist, colonial, and postcolonial domination.

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