Nietzsche's dangerous game : philosophy in the twilight of the idols
Author(s)
Bibliographic Information
Nietzsche's dangerous game : philosophy in the twilight of the idols
(Modern European philosophy)
Cambridge University Press, 1997
Available at 9 libraries
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  Saitama
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  Niigata
  Toyama
  Ishikawa
  Fukui
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  Nagano
  Gifu
  Shizuoka
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  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
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  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
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  United Kingdom
  Germany
  Switzerland
  France
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
This 1997 work is a book-length treatment of the unique nature and development of Nietzsche's post-Zarathustran political philosophy. This later political philosophy is set in the context of the critique of modernity that Nietzsche advances in the years 1885-1888, in such texts as Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols, The Antichrist, The Case of Wagner, and Ecce Homo. In this light Nietzsche's own diagnosis of the ills of modernity is subject to the same criticism that he himself levelled against previous philosophies; that it is an involuntary symptom of the age it represents. Nietzsche is seen to be aware of his own decadence and of his complicity with the very tendencies that he dissects and deplores. By relating the political philosophy, the critique of modernity and the theory of decadence Daniel Conway has written a powerful book about Nietzsche's own appreciation of the limitations of both his writing style and of his famous prophetic 'stance'.
Table of Contents
- 1. Reading the signs of the times: Nietzsche contra Nietzsche
- 2. The economy of decadence
- 3. Peoples and ages: the mortal soul writ large
- 4. Et tu, Nietzsche?
- 5. Parastrategesis
- 6. Skirmishes of an untimely man: Nietzsche's revaluation of all values
- 7. Standing between two millenia: intimations of the antichrist
- Conclusion: Odysseus bound?
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