(Un)doing the missionary position : gender asymmetry in contemporary Asian American women's writing
Author(s)
Bibliographic Information
(Un)doing the missionary position : gender asymmetry in contemporary Asian American women's writing
(Contributions in women's studies, no. 158)
Greenwood Press, 1997
- Other Title
-
Undoing the missionary position
Available at 38 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [173]-182) and index
Description and Table of Contents
Description
While the writing of other ethnic women has already been receiving considerable attention, the writing of Asian American women has not. (Un)Doing is the first feminist theoretical work to look at writing by such contemporary Asian American writers as Amy Tan, Fae Myenne Ng, R. A. Sasaki, Gish Jen, and Cynthia Kadohata. Viewing them as feminist and postfeminist writers, Kafka argues that gender asymmetry in all its varied forms and guises is the major issue that they confront. Satirizing this world-wide oppression as the missionary position, Kafka urges ethnic and women of color feminist critics to focus more on commonalities rather than view differences as impenetrable barriers.
Table of Contents
Preface Introduction Amy Tan, The Kitchen God's Wife: "Chasing Away a Big Stink" Fae Myenne Ng, Bone: "Nina, Ona, and I, We're the Lucky Generation" Gish Jen, Typical American: The Rise and Fall and Rise of the House of Chang R(uth) A. Sasaki, The Loom and Other Stories: "There Has Got to Be More to Life Than That" Cynthia Kadohata, The Floating World: "I Like the Diabolical Quality, the Clarity of Admitting I Want" Conclusion Bibliography Index
by "Nielsen BookData"