Framing Latin American cinema : contemporary critical perspectives
著者
書誌事項
Framing Latin American cinema : contemporary critical perspectives
（Hispanic issues, v. 15）
University of Minnesota Press, c1997
- : hc
- : pb
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
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: hc ISBN 9780816629725
内容説明
Most studies of Latin American cinema focus on the political content of films from the region, often emphasizing an approach that reduces Latin American films to illustrations of the type of cultural studies dominant in the US and Europe. Resisting this tendency, this text provides a fresh approach by embracing multiple modes of scholarship and juxtaposing feature films and documentaries. Considering works from Argentina, Brazil, Cuba, Colombia, Guatamala, Mexico, and Venezuela, the contributors address a range of topics including spectatorship, the films of Roman Chalbaud, Mexican melodrama, revolutionary documentaries, the films "Dona Herlinda" and "Un lugar en el mundo", a documentary film on Nobel Peace Prize winner Rigoberta Menchu, and viewers' and critics' responses to films and filmmakers reaction to this criticism. This guide to film in the region, bridges the gap between film theory and criticism and creates a necessary dialogue between northern and southern critics.
目次
- Through other worlds and other times: Critical praxis and Latin American cinema, Anne Marie Stock
- High-rise apartments, arcades, cars and Hoteles de Citas: Urban discourse and the reconstruction of the public/private divide in 1960's Buenos Aires, Laura Podalsky
- Backwards blindness: Brazilian cinema of the 1980's, Jose Carlos Avellar
- Recent Colombian cinema: Public histories and private stories, Ilene Goldman
- When mountains tremble: Images of ethnicity in a transcultural text, Teresa Longo
- How real is reel? Fernando de Fuentes' revolutionary trilogy, John Mraz
- "Kiss of the Spider Woman", novel, play, film: Homosexuality and the discourse of the material in a Third World prison, Patricia Santoro
- Moving to thought: The inspired reflective cinema of Fernando Perez Beat Borter
- Roman Chalbaud - The "national" melodrama on an air of bolero, Paulo Antonio Paranagua
- The persistence of vision: Going to the movies in Colombia Gilberto Gomez Ocampo
- Mexican melodrama of patriarchy: Specificity of a transcultural form, Julianne Burton-Carvajal
- Queering the patriarchy in Hermosillo's "Dona Herlinda" y Su Hijo, David William Foster
- Will there be Latin American cinema in the Year 2000?
- Visual culture in a postnational era, Nestor Garcia Canclini.
- 巻冊次
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: pb ISBN 9780816629732
内容説明
Framing Latin American Cinema was first published in 1997.Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and documentaries, and locating cinema within larger cultural debates. Considering works from Argentina, Brazil, Cuba, Colombia, Guatemala, Mexico, and Venezuela, the contributors address a range of topics including studies of directors like Roman Chalbaud and Fernando Pérez, examinations of viewer patterns and critical tendencies, and analyses of Mexican melodrama, revolutionary films, and such internationally acclaimed works as Doña Herlinda and A Place in the World . Framing Latin American Cinema provides an essential guide to cinema in the region, successfully bridging the gap between cultural criticism and praxis even while creating a necessary dialogue within the Americas and beyond. Contributors: José Carlos Avellar, Museu de Arte Moderna, Rio de Janeiro; Beat Borter, Filmpodium, Switzerland; Julianne Burton-Carvajal, U of California, Santa Cruz; David William Foster, Arizona State U; Néstor García Canclini, Universidad Autónoma Metropolitana, Mexico City; Ilene S. Goldman; Gilberto Gómez Ocampo, Wabash College; Teresa Longo, College of William and Mary; John Mraz, Universidad Autónoma de Puebla, Mexico; Paulo Antonio Paranaguá; Laura Podalsky, Bowling Green State U; Patricia Santoro, Montclair-Kimberley Academy. Ann Marie Stock is associate professor of modern languages and literatures at the College of William and Mary.
目次
- Through other worlds and other times: Critical praxis and Latin American cinema, Anne Marie Stock
- High-rise apartments, arcades, cars and Hoteles de Citas: Urban discourse and the reconstruction of the public/private divide in 1960's Buenos Aires, Laura Podalsky
- Backwards blindness: Brazilian cinema of the 1980's, Jose Carlos Avellar
- Recent Colombian cinema: Public histories and private stories, Ilene Goldman
- When mountains tremble: Images of ethnicity in a transcultural text, Teresa Longo
- How real is reel? Fernando de Fuentes' revolutionary trilogy, John Mraz
- "Kiss of the Spider Woman", novel, play, film: Homosexuality and the discourse of the material in a Third World prison, Patricia Santoro
- Moving to thought: The inspired reflective cinema of Fernando Perez Beat Borter
- Roman Chalbaud - The "national" melodrama on an air of bolero, Paulo Antonio Paranagua
- The persistence of vision: Going to the movies in Colombia Gilberto Gomez Ocampo
- Mexican melodrama of patriarchy: Specificity of a transcultural form, Julianne Burton-Carvajal
- Queering the patriarchy in Hermosillo's "Dona Herlinda" y Su Hijo, David William Foster
- Will there be Latin American cinema in the Year 2000?
- Visual culture in a postnational era, Nestor Garcia Canclini.
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