The infernal desires of Angela Carter : fiction, femininity, feminism
著者
書誌事項
The infernal desires of Angela Carter : fiction, femininity, feminism
(Studies in twentieth century literature)
Longman, 1997
- pbk.
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注記
Essays developed out of "Fireworks : Angela Carter and the futures of writing", a conference held at the University of York, UK, 30 Sept. - 2 Oct. 1994
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
pbk. ISBN 9780582291911
内容説明
Drawing on many aspects of contemporary feminist theory, this lively collection of essays assesses Angela Carter's polemical fictions of desire. Carter, renowned for her irreverent wit, was one of the most gifted, subversive, and stylish British writers to emerge in the 1960s.
目次
Contributors
Preface and Acknowledgements
Introduction
Joseph Bristow and Trev Lynn Broughton
1. Gender as Performance in the Fiction of Angela Carter and Margaret Atwood
Paulina Palmer
2. Angela Carter's Fetishism
Christina Britzolakis
3. The Red Dawn Breaking over Clapham: Carter and the Limits of Artifice
Clare Hanson
4. 'But Elsewhere?': The Future of Fantasy in Heroes and Villains
Elisabeth Mahoney
5. The Fragile Frames of The Bloody Chamber
Lucie Armitt
6. The Infernal Appetites of Angela Carter
Sarah Sceats
7. Revenge of the Living Doll: Angela Carter's Horror Writing
Gina Wisker
8. Angela Carter's The Sadeian Woman: Feminism as Treason
Sally Keenan
9. Sexual/Textual Aggression in The Sadeian Woman and The Passion of New Eve
Merja Makinen
10. Unexpected Geometries: Transgressive Symbolism and the Transsexual Subject in Angela Carter's The Passion of New Eve
Heather L. Johnson
11. Boys Keep Swinging: Angela Carter and the Subject of Men
Paul Magrs
12. Auto/Biographical Souvenirs in Nights at the Circus
Sarah Bannock
Afterword
Elaine Jordan
- 巻冊次
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ISBN 9780582291928
内容説明
This text provides a detailed overview of Angela Carter, one of the most gifted, subversive and stylish of British writers to emerge in the 1960s. It examines her fascination with female sexuality from her earliest writings to her works of the 1990s.
目次
- Gender as performance in the fiction of Angela Carter and Margaret Atwood, Paulina Palmer
- Angela Carter's fetishism, Christina Britzolakis
- the red dawn breaking over Clapham - Carter and the limits of artifice, Clare hanson
- "but elsewhere?" - the future of fantasy in "Heroes and Villains", Elisabeth Mahoney
- the fragile frames of "The Bloody Chamber", Lucie Armitt
- the infernal appetites of Angela Carter, Sarah Sceats
- revenge of the living doll - Angela Carter's horror writing, Gina Wisker
- Angela Carter's "The Sadeian Woman" - feminism as treason, Sally Keenan
- sexual/textual aggression in "The Sadeian Woman" and "The Passion of New Eve", Merja Makinen
- unexpected geometries - transgressive symbolism and the transsexual subject in Angela Carter's "The Passion of New Eve", Heather L. Johnson
- boys keeping swing - Angela Carter and the subject of men, Paul Magrs
- auto/biographical souvenirs in "Nights at the Circus", Sarah Bannock. Afterword, Elaine Jordan.
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