The theory of inspiration : composition as a crisis of subjectivity in romantic and post-romantic writing
著者
書誌事項
The theory of inspiration : composition as a crisis of subjectivity in romantic and post-romantic writing
Manchester University Press , Distributed exclusively in the USA by St. Martin's Press, 1997
大学図書館所蔵 件 / 全15件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographycal references (p. 285-294) and index
内容説明・目次
内容説明
Inspiration is a basic concept of western poetics, and deserves reassessment with all the tools of modern literary theory. Timothy Clark's book is an entirely original and unprecedented project, which throws up surprising readings of the theory of inspiration in western poetics since the enlightment: the place, for instance, of mass 'enthusiasms' or crowd psychology in romantic conceptions of inspirations; H.D's transvaluation of romantic aesthetics in "Notes on thought and vision"; and the decisive place of surrealism in the emergence of anti-humanist notions of inspiration as a 'limit-experience' crucial to the poetics of Blanchot, Celan and Derrida. Though often now omitted from dictionaries of literary terms, Timothy Clark has reasserted the position of literary inspiration.
目次
- Part 1 Introduction: Orientations - the space of composition
- "Enthusiasmos" - archaic Greece and Plato's "Ion". Part 2 Case studies: enthusiasm and enlightenment
- the fantasy crowd 1 - "Power" in Wordsworth's "The Prelude"
- infinite inspiration - Schelling and Holderlin
- the fantasy crowd 2 - Shelley's "A Defence of Poerty"
- inspiration and the romantic body - Nietzsche - HD
- surrelism, inspiration and the mediations of chance in Andre Breton
- Octavio Paz and "Renga" - the dispersal of inspiration?
- contradictory passion - inspiration in Blanchot's "The Space of Literature" (1955)
- dictation by heart - Derrida's "Che Cos'e la Poesia?" and Celan's notion of the Atemwende.
「Nielsen BookData」 より