Arvo Pärt
著者
書誌事項
Arvo Pärt
(Oxford studies of composers)
Oxford University Press, 1997
- : cloth
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
List of works by Arvo Pärt: p. 208-210
Discography: p. 213-215
Includes bibliographical references (p. 211-212) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780198165507
内容説明
The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls "tintinnabuli". Listening to it, one is reminded of the passionate tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book Paul Hillier explores Part's "tintinnabuli" works in some considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the "abstract tonality" of his later years. A biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism and the influence of early music are also included. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
- 巻冊次
-
: pbk ISBN 9780198166160
内容説明
The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate and tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky.
In this book, the first full-length study of Part, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years.
In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to Part's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
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