Author(s)

Bibliographic Information

Arvo Pärt

Paul Hillier

(Oxford studies of composers)

Oxford University Press, 1997

  • : cloth
  • : pbk

Available at  / 13 libraries

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Note

List of works by Arvo Pärt: p. 208-210

Discography: p. 213-215

Includes bibliographical references (p. 211-212) and index

Description and Table of Contents

Volume

: cloth ISBN 9780198165507

Description

The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls "tintinnabuli". Listening to it, one is reminded of the passionate tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book Paul Hillier explores Part's "tintinnabuli" works in some considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the "abstract tonality" of his later years. A biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism and the influence of early music are also included. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
Volume

: pbk ISBN 9780198166160

Description

The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate and tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of Part, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to Part's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.

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