Mimesis and the human animal : on the biogenetic foundations of literary representation

Author(s)

    • Storey, Robert F.

Bibliographic Information

Mimesis and the human animal : on the biogenetic foundations of literary representation

Robert Storey

(Rethinking theory)

Northwestern University Press, c1996

  • pbk

Available at  / 3 libraries

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Note

Includes bibliographical references (p. 237-260) and index

Description and Table of Contents

Volume

ISBN 9780810114579

Description

In Mimesis and the Human Animal, Robert Storey argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question ""What does it mean to say that art imitates life?"" he must consider both ""What is life?"" and ""What is art?"" A unique approach to the subject of mimesis, Storey's book goes beyond the politicizing of literature grounded in literary theory to develop a scientific basis for the creation of literature and art.

Table of Contents

  • Figures Pugnacious Preface Part I: The World Chapter 1. "I Am I Because My Little Dog Knows Me": Of Apes and Essences Chapter 2. "Me against My Brother
  • Me and My Brother against Our Cousins
  • Me, My Brother and Our Cousins . . .": The Genetic Construction of Sociality Chapter 3. On Discourse and the Darwin Machine: The Matter and the Chatter of the Mind Part II: The Book Chapter 4. "What Is Art For?": Narrative and the Ludic Reader Chapter 5. Tragedy: The Ape Gets Serious Chapter 6. Comedy and the Relaxed Open-Mouth Display Chapter 7. Gilding the Mirror: Mimesis and Philosophy in A Fairly Honourable Defeat Plainspoken Postscript Notes Works Cited Index
Volume

pbk ISBN 9780810114586

Description

In this study, the author argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question ""What does it mean to say that art imitates life?"" he must consider both ""What is life?"" and ""What is art?"". Part 1 addresses issues of human biology, psyche and language; Part 2 applies the model sketched out in Part 1 to various narratives: tragedy, comedy and the novel.

Table of Contents

  • Part 1 The world: ""I am I because my little dog knows me"" - of apes and essences
  • ""Me against my brother, me and my brother against our cousins, me, my brother and our cousins..."" - the genetic construction of sociality
  • on discourse and the Darwin machine - the matter and the chatter of the mind. Part 2 The book: ""What is art for?"" - narrative and the Ludic reader
  • tragedy - the ape gets serious
  • comedy and the relaxed open-mouth display
  • gilding the mirror - mimesis and philosophy in ""A fairly honourable defeat"".

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