The academy and the limits of painting in seventeenth-century France
著者
書誌事項
The academy and the limits of painting in seventeenth-century France
（Cambridge studies in new art history and criticism）
Cambridge University Press, 1997
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注記
Bibliography: p. 285-296
Includes index
内容説明・目次
内容説明
The Academy and the Limits of Painting in Seventeenth-Century France is the first study in over a century devoted to the creation of one of the most important European institutions of art, the French Academie Royale. Founded in the mid-1660s, the Academy institutionalised the discourse around painting and thus had an immediate impact on the making of art in France, becoming a decisive influence on painting until the close of the nineteenth century. In the process of forging an identity for itself, the Academy redefined almost every aspect of art - the nature of art training, the sources of patronage, the social standing of the artist, and the place of the arts in national life.
目次
- 1. Inscribing authority
- 2. Le Brun and history painting
- 3. Discourse
- 4. The Academy and ceiling painting
- 5. Rhetorical transformations.
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