Photography: an independent art : photographs from the Victoria and Albert Museum 1839-1996
著者
書誌事項
Photography: an independent art : photographs from the Victoria and Albert Museum 1839-1996
Princeton University Press, 1997
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
The Victoria and Albert Museum (V&A) has one of the finest and oldest collections of photography in the world. In this fascinating book, Mark Haworth-Booth, Curator of Photographs at the V&A, offers the first comprehensive introduction to this extensive and impressive collection. In the process, he provides the reader with a general history of photography from its beginnings as a scientific curiosity, through its international commercialization, to its coming of age as an art form in its own right. Because of the V&A's uniquely long collecting history--dating back to 1856--many different epochs of photography's shifting identity can clearly be seen in this book. Reminding us that photography was not always viewed as a serious artistic medium, Haworth-Booth explores the changes and shifts in the perception of photography that have occurred over the years. In the 1850s, photography was a new and malleable medium that could result in anything from fine art to a commercial fortune. In the 1860s, photography became an industry practiced worldwide, but its new commercial status inspired creative radicals like Julia Margaret Cameron to emphasize its artistic potential instead.
By the 1930s, photography became the dominant medium for mass communication, as a result of illustrated magazines. Photography returned as a fashionable medium for fine art in the 1960s--the same year television superseded magazines as the primary disseminator of information. The V&A's Victorian holdings are outstanding, with major photographs by Roger Fenton, David Octavius Hill, Robert Adamson, Julia Margaret Cameron, Gustave Le Gray, Camille Silvy, and Lady Hawarden. In recent years, the museum has acquired significant works by such twentieth-century master photographers as Bill Brandt, Henri Cartier-Bresson, Paul Martin, Walker Evans, Paul Strand, Manuel Alvarez Bravo, and Cecil Beaton. A number of these photographs are published here for the first time.
目次
INTRODUCTION CHAPTER ONE THE NEW ART CHAPTER TWO A VIBRANT POPULIST ENTERPRISE CHAPTER THREE ALL THE WORLD UNDER THE SUBJUGATION OF ART CHAPTER FOUR A FINE ART AND A MANUFACTURING ART CHAPTER FIVE THE COSMOPOLITAN ARCHIVE CHAPTER SIX BEING CONTEMPORARY CHAPTER SEVEN THE NATIONAL COLLECTION OF THE ART OF PHOTOGRAPHY CHAPTER EIGHT FOND WRESTLERS WITH PHOTOGRAPHY ABBREVIATIONS AND NOTES INDEX
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