Drama trauma : specters of race and sexuality in performance, video and art
著者
書誌事項
Drama trauma : specters of race and sexuality in performance, video and art
Routledge, 1997
- : hbk., alk. paper
- : pbk., alk. paper
大学図書館所蔵 全15件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
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  オランダ
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays.
The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include:
* installations by Mary Kelly and Dawn Dedeaux,
* plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka
* performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana
* stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.
目次
List of Figures, Acknowledgements, 1. Introduction, Part One: Sounding Silence in Shakespeare, 2. Getting Stoned: Psychoanalysis and the Epistemology of Tragedy in Shakespeare, 3. Othello, An Index and Obscure Prologue to the History of Foul Generic Thought, 4. 'Misshapen Chaos of Well-Seeming Forms': Specters of Jointure in Romeo and Juliet, Part Two: Writing Women's Vision, 5. Patriarchal Panopticism, or the Enigma of a Woman's Smile: Getting Out in Theory, 6. The Play of Letters: Writing and Possession in Chucky's Hunch, Part Three: Color Adjustments, 7. Differa(n)ce: Screening the Camera's Eye in African-American Drama, 8. In Exile at Home: Tornado Breath and Unrighteous Fantasy in Robbie McCauley's Indian Blood, Part Four: Televisual Fear, 9. Camera Obsura Ideologica: From Vermeer to Video in All's Well That Ends Well, 10. The Contrast Hurts: Censoring the Ladies Liberty in Performance, 11. Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux, Bibliography.
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