The road movie book

著者

書誌事項

The road movie book

edited by Steven Cohan and Ina Rae Hark

Routledge, 1997

  • : hbk
  • : pbk

大学図書館所蔵 件 / 全19件

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注記

Includes bibliographical references and indexes

内容説明・目次

巻冊次

: hbk ISBN 9780415149365

内容説明

The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.
巻冊次

: pbk ISBN 9780415149372

内容説明

The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.

目次

Mark Alvey, Field Museum, Chicago, US, Stuart C. Aitken, San Diego State University, Christopher Lee Lukinbeal, San Diego State University and University of California, Santa Barbara, US, Corey K. Creekmur, Wayne State University, Steven Cohan, Syracuse University, US, Delia Falconer, Barbara Klinger, Indiana University, Ina Rae Hark, University of South Carolina, Ian Leong, University of Michigan, US, Mike Sell, Kelly Thomas, Katie Mills, Angelo Restivo, Pamela Robertson, University of Newcastle, Australia, Shari Roberts, Pennsylvania State University, US, Julian Stringer, Indiana University, US, Sharon Willis, University of Rochester

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