A collecting odyssey : Indian, Himalayan, and Southeast Asian art from the James and Marilynn Alsdorf collection
Author(s)
Bibliographic Information
A collecting odyssey : Indian, Himalayan, and Southeast Asian art from the James and Marilynn Alsdorf collection
Art Institute of Chicago in association with Thames and Hudson, 1997
1st ed
Available at 9 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Published in conjunction with the exhibition ... organized by the Art Institute of Chicago, August 2-October 26, 1997"--T.p. verso
Includes bibliographical references (p. 354-356) and index
Description and Table of Contents
Description
One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art. Assembled over a period of several decades, the Alsdorf collection of over 450 objects covers a wide geographical and chronological range in South and Southeast Asian art. It includes sculpture, jewellery, paintings and architectural elements from India, Nepal, Tibet, Pakistan, Bangladesh, Burma, Thailand and Cambodia and the objects range in date from a medallion from the second century BC to 20th-century sculpture. The author explains the major themes represented in the collection - Hindu gods, Buddhist and Jain subjects, goddesses, human figures, animals and ritual, ornamental and ceremonial objects - and discusses the style, history and iconography of individual pieces.
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