Mapping the beat : popular music and contemporary theory
著者
書誌事項
Mapping the beat : popular music and contemporary theory
Blackwell Publishers, 1998
- : pbk
- タイトル別名
-
Popular music and contemporary theory
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
ISBN 9781577180777
内容説明
One of the most vibrant and exciting new areas of academia inquiry falls under the cross disciplinary category of cultural studies. Within this field, popular music has been commonly analyzed to understand our world through the social dynamics, cultural production and consumption of popular music. Recent works on popular music studies examine the institutional and economic limitations that define popular music. Other works have addressed the textual aspects; representations and symbolic meaning in popular music as reflected in contemporary society. Other books look solely at the phenomenon of fandom and music subcultures. This collection cuts across all these ways of analyzing culture and is done through looking at spaces of noise and places of music. Included in this volume are some of the best cultural theorists and their reflections on modern life through music and representation.
目次
Part I: Noise, Performance and the Politics of Sound: 1. Mapping the Beat: The Space of Noise and the Place of Music: Andrew Herman (Drake University), Thomas Swiss (Drake University) and John Sloop (Vanderbilt University). 2. Not The Same: Race, Repetition and Difference in Hip-Hop: Russell Potter (Rhode Island College). 3. Kick Out the Jams!: The MC5 and the Politics of Noise: Steve Waksman (University of Minnesota). 5. Queers, Punks, and Alternative Acts: Cynthia Fuchs (George Mason University). Part II: History, Technology and Policy: 6. Drumming and Memory: Scholarship, Technology, and Music-Making: Andrew Goodwin (University of San Fransisco). 7. The History of Rock's Pasts through Rock Covers: Deena Weinstein (DePaul University). 8. Repressive Representations: Patriarchy and Femininity in Rock Music of the Counterculture: Sheila Whitely (Salford University). 9. Popular Music and the Synergy of Corporate Culture: David Sanjek (Broadcast Music, Inc). 10. Fields of Practice: Musical Production, Public Policy, and the Market: Holly Kruse (La Salle University). Part III: Location and Movement in the Spaces of Popular Music: 11. Crossing Over: Selena's Tejana Music and the Discourse of Borderlands: Ramona Liera-Schwichtenberg (Wichita State University). 12. Yo Quiero Mi MTV: Making Music Television for Latin America: Robert Hanke (Journalist). 13. Studying Rock: Towards a Materialist Ethnography: Tony Kirschner (University of Illinois). 14. Everybody Loves Our Town: Scenes and Spatialization: Mark Olson (University of North Carolina). 15. Negativeland, Outlaw Judgements, and the Politics of Cyberspace: Andrew Herman (Drake University) and John Sloop (Vanderbilt University). Index.
- 巻冊次
-
: pbk ISBN 9781577180784
内容説明
One of the most vibrant and exciting new areas of academia inquiry falls under the cross disciplinary category of cultural studies. Within this field, popular music has been commonly analyzed to understand our world through the social dynamics, cultural production and consumption of popular music. Recent works on popular music studies examine the institutional and economic limitations that define popular music. Other works have addressed the textual aspects; representations and symbolic meaning in popular music as reflected in contemporary society. Other books look solely at the phenomenon of fandom and music subcultures. This collection cuts across all these ways of analyzing culture and is done through looking at spaces of noise and places of music. Included in this volume are some of the best cultural theorists and their reflections on modern life through music and representation.
目次
Part I: Noise, Performance and the Politics of Sound:1. Mapping the Beat: The Space of Noise and the Place of Music: Andrew Herman (Drake University), Thomas Swiss (Drake University) and John Sloop (Vanderbilt University).2. Not The Same: Race, Repetition and Difference in Hip-Hop: Russell Potter (Rhode Island College).3. Kick Out the Jams!: The MC5 and the Politics of Noise: Steve Waksman (University of Minnesota).5. Queers, Punks, and Alternative Acts: Cynthia Fuchs (George Mason University).Part II: History, Technology and Policy:6. Drumming and Memory: Scholarship, Technology, and Music-Making: Andrew Goodwin (University of San Fransisco).7. The History of Rock's Pasts through Rock Covers: Deena Weinstein (DePaul University).8. Repressive Representations: Patriarchy and Femininity in Rock Music of the Counterculture: Sheila Whitely (Salford University).9. Popular Music and the Synergy of Corporate Culture: David Sanjek (Broadcast Music, Inc).10. Fields of Practice: Musical Production, Public Policy, and the Market: Holly Kruse (La Salle University).Part III: Location and Movement in the Spaces of Popular Music:11. Crossing Over: Selena's Tejana Music and the Discourse of Borderlands: Ramona Liera-Schwichtenberg (Wichita State University).12. Yo Quiero Mi MTV: Making Music Television for Latin America: Robert Hanke (Journalist).13. Studying Rock: Towards a Materialist Ethnography: Tony Kirschner (University of Illinois).14. Everybody Loves Our Town: Scenes and Spatialization: Mark Olson (University of North Carolina).15. Negativeland, Outlaw Judgements, and the Politics of Cyberspace: Andrew Herman (Drake University) and John Sloop (Vanderbilt University).Index.
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