Um 1800 : Architekturtheorie und Architekturkritik in Deutschland zwischen 1790 und 1810
著者
書誌事項
Um 1800 : Architekturtheorie und Architekturkritik in Deutschland zwischen 1790 und 1810
Menges, c1997
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliographical references p.261-275
内容説明・目次
内容説明
The pointers towards Modernism were set around 1800 in Germany. This applies not just to science and social forms, but also not least to architecture. It is true that relatively little was built at this time, but the designs of the period are all the more rich and exciting and so is the architectural debate that accompanied them, which was held both in the specialist press (the first specialized magazines came out at that time) and also in general magazines. Klaus Jan Philipp follows this discourse using rich source material and evaluating publications and essays that have so far been almost completely neglected by research. Not so much the representatives of their specialism, all very well known today, like Friedrich Gilly, Karl Friedrich Schinkel, Leo von Klenze and Friedrich Weinbrenner, dominated the discussion in those years, but rather colleagues of theirs who have long been forgotten, and also a substantial number of laymen. Thus this book relativizes the commonly held view of Classicism in Germany, which concentrates on the great architectural personalities.
Philipp not only traces how independent architectural criticism established itself in Germany, but also shows that discussion about the "battle of styles" in the 19th century has to be dated a few decades earlier, which sheds completely new light on the prehistory of Modernism. As well as this, all the reviews of publication in those years are collected in the bibliography. This opens up a real treasure-house for further research into German Classicism.
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