Conversations with Albert Murray
著者
書誌事項
Conversations with Albert Murray
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c1997
- : pbk
大学図書館所蔵 全15件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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  ベルギー
  オランダ
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
ISBN 9781578060078
内容説明
As a cultural critic, biographer, essayist, and novelist, Albert Murray has had a wide-ranging and profound influence on American art in the decades since the Second World War. Artists as diverse as Walker Percy, Romare Bearden, and Wynton Marsalis have drawn from Murray and his ideas on jazz and the blues, modern consciousness, and the role of race in the American identity. His own works include The Hero and the Blues, Train Whistle Guitar, Good Morning Blues: The Autobiography of Count Basie as Told to Albert Murray, The Spyglass Tree, The Blue Devils of Nada, and The Seven League Boots.
Yet this is the first book devoted to Murray himself, and fittingly it is based on the kind of conversations that have proven indispensable to his friends in the arts. It brings together twenty interviews with Murray conducted over the last twenty-four years, beginning with an interview that took place shortly after his second book, South to a Very Old Place, was published, and ending with a previously unpublished interview with the editor. In these conversations Murray discusses those who influenced him - Thomas Mann, Ernest Hemingway, Louis Armstrong, and Duke Ellington - and tells how they helped him develop a philosophy of art based on the blues as well as a new archetype of the American hero, the blues hero.
The collection reveals a man who enjoys a good time and a good conversation and whose intellectual improvisations move over such subjects as his reminiscences about the South he grew up in, his insights about regional culture, and commentaries about the contemporary American scene. He is quick to laugh, to conspire, to correct misperceptions, to mimic the sounds a great jazz musician makes, or to recite lines from favorite poems or novels. Taken together, these interviews reveal Murray to be the composite American he describes in his first book, The Omni-Americans, which, when published in 1970, announced a new and important literary voice.
Roberta S. Maguire is an assistant professor of English at the University of Wisconsin Oshkosh.
- 巻冊次
-
: pbk ISBN 9781578060085
内容説明
As a cultural critic, biographer, essayist, and novelist, Albert Murray has had a wide-ranging and profound influence on American art in the decades since the Second World War. Artists as diverse as Walker Percy, Romare Bearden, and Wynton Marsalis have drawn from Murray and his ideas on jazz and the blues, modern consciousness, and the role of race in the American identity. His own works include The Hero and the Blues, Train Whistle Guitar, Good Morning Blues: The Autobiography of Count Basie as Told to Albert Murray, The Spyglass Tree, The Blue Devils of Nada, and The Seven League Boots.
Yet this is the first book devoted to Murray himself, and fittingly it is based on the kind of conversations that have proven indispensable to his friends in the arts. It brings together twenty interviews with Murray conducted over the last twenty-four years, beginning with an interview that took place shortly after his second book, South to a Very Old Place, was published, and ending with a previously unpublished interview with the editor. In these conversations Murray discusses those who influenced him - Thomas Mann, Ernest Hemingway, Louis Armstrong, and Duke Ellington - and tells how they helped him develop a philosophy of art based on the blues as well as a new archetype of the American hero, the blues hero.
The collection reveals a man who enjoys a good time and a good conversation and whose intellectual improvisations move over such subjects as his reminiscences about the South he grew up in, his insights about regional culture, and commentaries about the contemporary American scene. He is quick to laugh, to conspire, to correct misperceptions, to mimic the sounds a great jazz musician makes, or to recite lines from favorite poems or novels. Taken together, these interviews reveal Murray to be the composite American he describes in his first book, The Omni-Americans, which, when published in 1970, announced a new and important literary voice.
Roberta S. Maguire is an assistant professor of English at the University of Wisconsin Oshkosh.
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