Performance on lute, guitar, and vihuela : historical practice and modern interpretation
著者
書誌事項
Performance on lute, guitar, and vihuela : historical practice and modern interpretation
(Cambridge studies in performance practice, 6)
Cambridge University Press, 1997
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes indexes
内容説明・目次
内容説明
This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, and in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately 1850. It brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French Baroque lute, vihuela, and Baroque and classical guitar, as well as for lute-accompanied English and Italian song. The articles in this book decode the unwritten traditions of these instruments, and examine various performance issues, taking a fresh, innovative look at traditional problems.
目次
- 1. An invitation to the fifteenth-century plectrum lute: the Pesaro manuscript Vladimir Ivanoff
- 2. Lute tablature instructions in Italy: a survey of the Regole from 1507 to 1759 Dinko Fabris
- 3. The performance context of the English lute song, 1596 to 1622 Daniel Fischlin
- 4. Per cantare e sonare: lute song at the end of the sixteenth century Kevin Mason
- 5. Authority, autonomy, and interpretation in performing seventeenth-century Italian lute music Victor Coelho
- 6. The soul of the lute: performance in the style brise Wallace Rave
- 7. The vihuela: performance practice, style, and context John Griffiths
- 8. Performing seventeenth-century Italian guitar music: the question of an appropriate stringing Gary Boye
- 9. Essential issues in performance practices of the Classical guitar, 1779-1840 Richard Savino.
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