The Renaissance in Venice : a world apart
Author(s)
Bibliographic Information
The Renaissance in Venice : a world apart
(Everyman art library)
Weidenfeld & Nicolson, 1997
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Tochigi
  Gunma
  Saitama
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  Tokyo
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  Niigata
  Toyama
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  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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  United States of America
Note
Includes bibliography and index
Description and Table of Contents
Description
The art of the Venetian Renaissance, with its chromatic richness, its emphasis on light and landscape, is quite distinct from that of Florence and Rome. This book considers what contributed to this Venetian aesthetic - the city's Byzantine heritage and geo-political context, its tradition of family workshops, and the way it controlled and protected its artists through the oldest painter's guild in Italy. It also recreates the three "worlds" of the Venetian Renaissance: the civic world, with its public art; the religious world, with its sacred art; and the private world of the aristocratic home and royal palace, where the pastoral imagery of pagan antiquity, the development of landscape painting and the celebration of the female nude and of portraiture are found.
Table of Contents
- The visual world of the Venetians
- artisans and artists
- the art of public life
- the art of piety
- the art of private life
- the aristocratic ideal.
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