High Romanesque sculpture in the duchy of Aquitaine, c. 1090-1140
Author(s)
Bibliographic Information
High Romanesque sculpture in the duchy of Aquitaine, c. 1090-1140
（Clarendon studies in the history of art）
Clarendon Press , Oxford University Press, 1997
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Note
Includes bibliographical references (p. [169]-180) and index
Description and Table of Contents
Description
Anat Tcherikover unveils a chronological order in the remarkably diverse world of High Romanesque sculpture in central-western France. She traces a regional school which formed against the background of the powerful feudal principality of Aquitaine, and was itself commensurably important and therefore representative of the main artistic trends of the time. These involved a constant tension between two different sculptural modes. On the one hand, architectural decorations in the spirit of the eleventh century manifested a final flowering of great intricacy. On the other, monumental figure sculpture was being revived independently at a fast pace, leading directly to proto-Gothic. A combination of political prominence, economic prosperity, and a keen response to ecclesiastical reform made the school one of the most innovative of its time.
Table of Contents
- Introduction
- 1. The County of Poitou, c.1090-1120
- 2. The Rise of the South, c.1090-1120
- 3. Church Facades and the Monumental Figure Programme, up to 1128
- 4. The Ornamental Drift, c.1120-30 and onwards
- 5. The Promise and Failure of Aquitanian Proto-Gothic, c.1130-40 and onwards
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