The self-aware image : an insight into early modern meta-painting
著者
書誌事項
The self-aware image : an insight into early modern meta-painting
（Cambridge studies in new art history and criticism）
Cambridge University Press, 1997
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Instauration du tableau
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Instauration du tableau
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注記
Bibliography: p. 317-331
Includes index
内容説明・目次
内容説明
Victor Stoichita challenges the received ideas about the linear progression of Western painting, from the Renaissance, through Mannerism to the Baroque. Eschewing questions of style, he focuses instead on the painting as a framed, transportable, and marketable object that is a specifically modern artistic medium. Arguing that panel painting, from its origins in the Early Renaissance, was a 'self-aware image', Stoichita demonstrates that the artist and his art was often the theme of the painting. He also examines the mirror effect and other 'splitting' strategies such as the mise en abime and intertextual play. By analysing these modalities of self-reflection, Stoichita offers a new and unexpected view of a period and the art it produced once considered to have been definitively classified.
目次
- Introduction
- Part I. The Surprised Eye: 1. Embrasures
- 2. The birth of still-life as an intertextual process
- 3. Margins
- Part II. The Inquiring Eye: 4. Assemblage
- 5. The turning point of painting
- 6. The intertextual machine
- Part III. The Methodical Eye: 7. Paintings, maps and mirrors
- 8. Two images: the painter/the act of painting
- 9. The reversed painting
- Notes
- Bibliography
- Index.
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