Whose music? : a sociology of musical languages

著者

書誌事項

Whose music? : a sociology of musical languages

by John Shepherd ... [et al.] ; foreword by Howard S. Becker

Transaction, 1980, c1977

  • pbk.

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注記

Other authors: Phil Virden, Graham Vulliamy, Trevor Wishart

Reprint of the 1977 ed. published by Latimer, London

Includes index

Bibliography: p. 259-266

内容説明・目次

巻冊次

ISBN 9780878553846

内容説明

Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.
巻冊次

pbk. ISBN 9780878558155

内容説明

Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.

目次

  • 1: Media, Social Process and Music
  • 2: The 'Meaning' of Music
  • 3: The Musical Coding of Ideologies
  • 4: Musical Writing, Musical Speaking
  • 2:
  • 5: Some Observations on the Social Stratification of Twentieth-Century Music
  • 6: Music and the Mass Culture Debate 1
  • 7: Music as a Case Study in the 'New Sociology of Education'
  • 8: On Radical Culture 1
  • Epilogue

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