Renaissance papers

Annual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house. Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton. M. Thomas Hester is professor of English at North Carolina State University

Pastoral Community and the Hooks of Memory: The Mnemonic Landscape of Izaak Walton's Compleat Angler (1653)Compleat Angler (1653) - Anne E. McIlhaney Marvell and the Temporality of Paranoia - Heather Hirschfeld Familiar Letters: Donne and Pietro Aretino - Dennis A. Flynn The Discourse of Dilution in 2 Henry IV - Nicholas Crawford John Donne and "All the World" - Graham Roebuck Poetry, Patronage, and Identity in the Dance of the Graces, Book VI of The Faerie Queene - Alzada Tipton The "Allurement of Liking" and the "Contention of the Eyes": Decoding the Visual Culture of the Elizabethan Prodigy House - James M. Sutton Discovering Authorial Intention in the Manuscript Sequences of Donne's Holy Sonnets - Gary Stringer

巻冊次: 1999 ISBN 9781571131720

内容説明

Newest annual volume of selected essays on aspects of the Renaissance. Renaissance Papers is a collection of the best scholarly essays on all aspects of the Renaissance submitted each year to the Southeastern Renaissance Conference, organized originally in the early 1950s by scholars at Duke University and the universities of North and South Carolina. This year's annual volume, the forty-sixth to be published by the Conference and the fourth by Camden House, is the most substantial ever, containing twelve articles. Five articles on Shakespeare range from alchemy and hermaphroditism in Sonnet 20 to Leontes and skepticism in The Winter's Tale. There are two pieces on Milton, one involving his feminine representation of himself as author, the other attempting a breakthrough in interpretation of Samson Agonistes. There are also literary studies of Mucedorus, the most popular play in the English Renaissance, and of Spenser's two female protagonists, Britomart and Amoret. There are also an examination of the power struggles in an Italian convent, a new assessment of Stephen Gardiner's role in the Counter-Reformation in England, and a study of the early characteristics of Cromwellin the press of the English Civil War.

Family and Faction in a Milanese Convent, Sixteenth and Seventeenth Centuries - `The King's Good Servant, But God's First': Stephen Gardiner and the Early English Reformation - Karen Guest Britomart and Amoret: Reading Escape in Spenser's Mysticism - Melinda Spencer Hortensio's Role in Closing The Taming of the Shrew's Induction - Mary Free Mucedorus's Wild Man: Disorderly Acts on the Early Modern Stage - Abigail Scherer `A Madman's epistles are no gospels': Alienation in Twelfth Night and Anti-Martinist Discourse - L. Caitlin Jorgensen Goodly Physic: Disease, Purgation, and Anatomical Display in Shakespeare's Troilus and Cressida - Christopher J. Crosbie Sex in a Bottle: The Alchemical Distillation of Shakespeare's Hermaphrodite in Sonnet 20 - Peggy Munoz Simonds Bearing Parts: Leontes' Skeptical Delivery of Perdita in Shakespeare's The Winter's Tale - Connie Snyder Mick `The Valiant Champion Lieut-General Cromwell'
`So perfect a hater of images': Oliver Cromwell and the Civil War Press - Vivienne S. Johnson Arrested Spiritual Development in Milton's Samson Agonistes - Kent R. Lehnhof

巻冊次: 1996 ISBN 9781571132000

内容説明

Annual collection of articles by leading scholars on aspects of Renaissance life and literature. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume offers a selection of the most important papers presented at the 1996 Southeastern Renaissance Conference, held at Duke University. Articles, from some of the most distinguished scholars in the field, cover literary representations of the plague; aspects of the Reformation, from the economics of its operation to popular religion; black women characters in early renaissance literature; Hamlet and King Lear; James I's homosexuality; Drayton's 'Ballad of Agincourt'; and secular and religious elements in Herbert's poetry.

Tyndale's heretical translation - Lollards, Lutherans and an economy of circulation, Mary Jane Barnett
Erasmus, Tyndale and popular religion, Matthew DeCoursey
"A leaden mediocrity" - competing views of the Elizabethan settlement of religion in "The Stripping of the Altars" and "The Second Tome of Homilies", Stephen Buick
from "The House of Spider" to "The Citadel of God" - representations of the plague in early modern England, Catherine I. Cox
King James, his "Phoenix", and desire, David M. Bergeron
Drayton's Agincourt in 1606 - history, genre and national consciousness, Marlin E. Blaine
reading black women characters of the English Renaissance - colonial inscription and postcolonial recovery, Imtiaz Habib
"For O, for O, the hobby-horse is forgot" - Hamlet and the death of carnival, James R. Andreas
Lear's three shamings - Shakespearian psychology and tragic form, Robert L. Reid
"Slack Time" and the "Uncessant Minutes" - time in "The Two Herberts", Jeffrey Powers-Beck.

巻冊次: 1997 ISBN 9781571132017

内容説明

Annual volume: papers on Renaissance literature deriving from the Southern Renaissance Conference. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. Topics addressed by a number of distinguished scholars in this latest volume include the political workings of Elizabeth I's pastoral regime, Donne's defense of the Jacobean religious settlement, collaborative pedagogy for term-teaching Shakespeare to undergraduates, Renaissance lyric poetics, Robert Herrick's verse, amd Margaret Cavendish's play with Shakespearian dramatic theme and technique. TREVOR HOWARD-HILL is C. Wallace Martin Professor of English at the University of South Carolina, where Professor PHILIP ROLLINSON also teaches.Contributors: ANNE D. HALL, WAYNE ERICKSON, JON A. QUITSLUND, NANDRA PERRY, A.E.B. COLDIRON, ELENA LEVY-NAVARRO, HEATHER A. HIRSCHFELD, A. LEIGH DeNEEF, ROBERT W. HALLI Jr, SUSAN C. STAUB, JEANNE ADDISON ROBERTS

The political wisdome of the pastoral regime, Anne D. Hall
Spenser and his friends stage a publishing event - praise, play, and warning in the commendatory verses to the 1590 "Faerie Queene", Wayne Erickson
the work of mourning in Spenser's Garden of Adonis, Jon A. Quitslund
Elizabeth I as Holy Church in Spenser's "Faerie Queene", Nandra Perry
Sidney, Watson, and the "Wrong Ways" to Renaissance lyric poets, A.E.B. Coldiron
in defense of the Jacobean Settlement - "The Devotions Upon Emergent Occasions", Elena Levy-Navarro
collaborative pedagogy - an experiment in team-teaching Shakespeare, Heather A. Hirschfeld and A. Leigh DeNeef
the bad season of Robert Herrick and King Charles I, Robert W. Halli Jr
"A Wench Re-Woman'd" - the miraculous recovery of Anne Green, Susan C. Staub
Margaret Cavendish plays with Shakespeare.

巻冊次: 2000 ISBN 9781571132291

内容説明

Eleven articles on aspects of the Renaissance, chief among them women writers, art, and drama. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. Organized and sponsored in the early 1950s by Duke University and the universities of South Carolina and North Carolina, the annual meeting is now hosted by various colleges and universities across the southeastern United States. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and Europe. This is the forty-seventh volume of Renaissance Papers. It includes articles on 15th-c. Florentine wedding chests, called cassoni, on Isabella Whitney, on Spenser's 'April' woodcut, on Cervantes' El Trato del Argel, on Thomas Nashe's Christ's Tears over Jerusalem, on the crone as type in English Renaissance drama, on female speech and disempowerment in Marlowe's Tamberlane I, on Shakespeare's Richard II and Marlowe's Edward II, on Chaucer's contribution to The Tempest, and on echoes of Ovid in Donne's elegies. T. H. HOWARD-HILL and PHILIP ROLLINSON are professors of English at the University of South Carolina.

Cassoni: The Inside Story - Jo-Kate Collier "We Are Not All Alyke nor of Complexion One": Truism and Isabella Whitney's Multiple Readers - Boyd M. Berry Allusive Resonance in the Woodcut in Spenser's "April" - Hugh Davis El Trato del Argel: A First Step Towards the Creation of a Masterpiece - Pamela Peek Voices of Prophecy and Prayer in Thomas Nashe's Christ's Tears Over Jerusalem - Catherine I. Cox Types of the Crone: The Nurse and the Wise Woman in English Renaissance Drama - Jeanne A. Roberts "Divine Zenocrate," "Wretched Zenocrate": Female Speech and Disempowerment in Tamberlane I - Pam Whitfield Narrativity: Edward II and Richard II - George L. Geckle Chaucer's Contribution to The Tempest: A Reappraisal - Lewis Walker "Over Reconing" the "Undertones": A Preface to "Some Elegies" by John Donne - M. Thomas Hester A Partial Liberty: Gender and Class in Jane Cavendish and Elizabeth Brackley's The Concealed Fancies - Robin O. Warren

巻冊次: 2001 ISBN 9781571132536

内容説明

The current volume contains nine articles reflecting a wide range of approaches to Renaissance literary performance and theory. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The nine articles in this volume reflect a wide range of approaches to Renaissance literary performance and theory. The first four essays seek reasons for the success of various Renaissance plays: Christopher Cobb examines how Thomas Heywood casts heroic action in a positive light in his romantic dramas, whereas Lucas Erneurges that Thomas Kyd's Spanish Tragedy owes its success to its Christian portrait of Heironimo's unsuccessful attempt to recognize a benevolent deity. Robert Reeder looks at Renaissance educational manuals in order to clarify views on precocity in Richard III, Bartholomew Fair, and Twelfth Night; and Thomas L. Martin and Duke Pesta investigate and refute postmodern claims about a "transvestite stage." Scott Lucas shows how several sonnets of Fulke Greville's Caelica disorient the reader, underscoring the poet's doubts about human reason and perception; and Pamela Macfie illustrates how Marlowe's ghostly allusions to Ovid's Heroides in Hero andLeander darken the portrayal of the tragic lovers' frustration. The final three essays concern the 17th-century literary giants Donne and Milton: Jay Stubblefield shows Donne's 1619 sermon to the Virginia Company to be a uniquely Thomistic commentary on the conflicting motives behind England's exploits in the New World; and John Wall and John T. Shawcross explore the effects of John Milton's poems on Renaissance and modern readers. M. Thomas Hester is professor of English at North Carolina State University.

Heywood and the Politics of Admiration - Christopher Cobb Thomas Kyd's Christian Tragedy - Lukas Erne "You are now out of your text": The Performance of Precocity on the Early Modern Stage - Robert Reeder Boy Actors and the Semiotics of Renaissance Stagecraft - Thomas L. Martin and Duke Pesta The Ovidian Underworld in Othello 3.3 - Pamela Royston Macfie Marlowe's Ghost-Writing of Ovid's Heroides - Pamela Royston Macfie "In Abused Sense Truth Oft Miscarries": Enacting the Limits of Human Knowledge in Fulke Greville's Caelica - Scott Lucas "I have taken a contrary way": Identity and Ambiguity in John Donne's Sermon to the Virginia Company - Jay Stubblefield The Milton Effect - John N. Wall Humor, Paradise Lost, and Its Reader - John T. Shawcross

巻冊次: 2003 ISBN 9781571132970

内容説明

Essays on Shakespeare, Elizabeth Cary, Erasmus, George Puttenham, William Tyndale, and the Virginia Company, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the ten essays in the 2003 volume, three have to do with Shakespeare; among the topics here are Shakespeare and social uprising in The Merchant of Venice, politics and masculinity in Julius Caesar, and the churching of women in Taming of the Shrew; another essay on Renaissance drama focuses attention on Elizabeth Cary's Mariam. Other essays consider Erasmus and the problem of strife, George Puttenham as a comedic artificer, the hermeneutics of William Tyndale, the editorial disputes in The Adventures of Master F.J., the wooing of Amoret and Scudamour, and the "writing" of the Virginia Company. Contributors: Jessica Wolfe, Gerald Snare, Jon Pope, Elizabeth Watson, Wayne Erickson, Mary Free, Amy Scott, Aaron Landau, Jeanne Roberts, and Jay Stubblefield. M. Thomas Hester is professor of English, and Christopher Cobb is assistant professor of English, both at North Carolina State University.

Homer, Erasmus, and the Problem of Strife - Jessica Wolfe William Tyndale Among the Demons - Gerald Snare The Printing of "this written book": G. T. and H. W.'s Editorial Disputes in The Adventures of Master F. J. - Jon C. Pope George Puttenham as Comedic Artificer - Elizabeth Watson Amoret and Scudamour Woo and Wed: Two Courtly Histories and a Stalemate - Wayne Erickson Strange Bedfellows: "The Churching of Women" and The Taming of the Shrew - Mary Free "Romans, countrymen, and lovers": Performing Politics, Sovereign Amity and Masculinity in: Julius Caesar - Amy Scott "Rouse Up a Brave Mind": The Merchant of Venice and Social Uprising in the 1590s - Aaron Landau Revenge Tragedy and Elizabeth Cary's Marian - Jeanne A. Roberts "very worthely sett in printe": Writing the Virginia Company of London - Jay Stubblefield

巻冊次: 2004 ISBN 9781571133113

内容説明

Yearly volume containing seven new essays on topics from the Metaphysical Poets to Shakespeare, Marlowe, and Milton. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The Conference accepts papers on all subjects relating to the Renaissance--music, art, history,literature, etc.--from scholars all over North America and the world. Of the seven essays in the 2004 volume, three have to do with the Metaphysical Poets; among the topics here are the significant use of chiasmus in the poetry of Donne and Herbert, reading Donne's Virginian Company sermon in its context, and the religion of Crashaw. Other essays consider the John Eliot emendation in The Life of King Henry V, the justice and rationality of authority in The Winter's Tale, Marlowe's poetry of allusion and substitution in Hero and Leander, and the shape of Book X of Milton's Paradise Lost. Contributors: Anne Coldiron, Andrew Harvey, Pamela Royston Macfie, Joseph A. Porter, Jeanne Shami, Kay Gilliland Stevenson, and John N. Wall. M. Thomas Hester is Professor of English, and Christopher Cobb is Assistant Professor of English, both at North Carolina State University.

All Ovids Elegies, the Amores, and the Allusive Close of Marlowe's Hero and Leander - Pamela Royston Macfie Revisiting Shakespeare's Eliot - Joseph A. Porter "'Tis Rigor and Not Law": Trials of Women as Trials of Patriarchy in The Winter's Tale - A.E.B. Coldiron Crossing Wits: Donne, Herbert, and Sacramental Rhetoric - Andrew Harvey Love and Power: The Rhetorical Motives of John Donne's 1622 Sermon to the Virginia Company - Jeanne Shami Crashaw, Catholicism, and Englishness: Defining Religious Identity - John N. Wall Addendum - George Walton Williams Beyond "no end": The Shape of Paradise Lost X - Kay Gilliland Stevenson

巻冊次: 2007 ISBN 9781571133786

内容説明

Focuses on the literary implications of 17th-century religion, Shakespeare's Roman plays, and 16th-century poetry. Renaissance Papers collects the best essays submitted each year to the Southeastern Renaissance Conference. In the 2007 volume, two essays focus on Shakespeare's Roman plays: one on Lavinia's death and Roman suicide in Titus Andronicus, the other on the rhetorical construction of masculinity in Julius Caesar. Five essays address the literary implications of seventeenth-century religious belief and practice, considering the influence of the timing and delivery of sermons on John Donne, the impact of godly reforms on Thomas Browne's Religio Medici, the effect of Scottish on English Presbyterianism during the 1640s, the critique of reformist utopianism in Margaret Cavendish's The Blazing World, and the implications of Paradise Lost's lack of a frontispiece. Two essays on sixteenth-century poetry look at the literary voices of commoners and of kings: one focuses on the portraits of women and commoners in A Mirror for Magistrates, while the other examines the political implications of King James VI/I's metrical translations of David's Psalms. Contributors: Reid Barbour, Nora L. Corrigan, William A. Coulter, Julie Fann, Robert Kilgore, Sonya Freeman Loftis, Christopher Hair, Jim Pearce, and John N. Wall.

John Donne and the Practice of Priesthood - John N. Wall Charity, Halifax, and Utopia: The Disadvantageous Setting of Thomas Browne's Religio Medici - Reid Barbour Presbyterian Church and State Before The Solemn League and Covenant - Julie Fann The Flaw in Paradise: The Critique of Idealism in Margaret Cavendish's The Blazing World - Christopher Hair "Conceited portraiture before his Book ... to catch fools and silly gazers" :Some Reflections on Paradise Lost and the Tradition of the Engraved Frontispiece Engraved Frontispiece - William A. Coulter "But Smythes Must Speake": Women's and Commoner's Voices in the Mirror for Magistrates - Nora L. Corrigan Fit for a King: The Manuscript Poems of King James VI/I - Robert Kilgore The Suicide of Lavinia: Finding Rome in Titus Andronicus - Sonya Freeman Loftis The Language of the Gods: Rhetoric and the Construction of Masculinity in Julius Caeser - Jim Pearce

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