Picturing women in Renaissance and Baroque Italy
Author(s)
Bibliographic Information
Picturing women in Renaissance and Baroque Italy
Cambridge University Press, 1997
- : hbk
- : pbk
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
This 1997 volume considers pictured and picturing women in Renaissance and Baroque Italy as the subjects, creators, patrons and viewers of art. Art itself is broadly defined to include not only painting, sculpture and architecture, but also popular prints and domestic objects. Women's experiences and needs (as perceived by women themselves and as defined by men on their behalf) are seen as important determinants in the production and consumption of visual culture. How the real and ideal lives of women - nuns, brides, mothers, widows, artists, saints, sinners - are reflected in, and to some extent shaped by, works of art is also explored. Adopting an interdisciplinary approach, this collection seeks to examine the art histories of women in Italy from the fourteenth to the seventeenth centuries.
Table of Contents
- Introduction
- Part I. Envisioning Women's Lives: 1. Regarding women in sacred space Adrian Randolph
- 2. Imaginative conceptions in Renaissance Italy Jacqueline Marie Musacchio
- 3. Pedagogical prints: moralizing broadsheets and wayward women in Counter Reformation Italy Sara F. Matthews Grieco
- Part II. Creative Careers: Women as Artists and Patrons: 4. Taking part: Benedictine nuns as patrons of art and architecture Mary-Ann Winkelmes
- 5. Lavinia Fontana and female life cycle experience in late sixteenth-century Bologna Caroline P. Murphy
- 6. 'Virgo-non sterilis ...': nuns as artists in seventeenth-century Rome Franca Trinchieri Camiz
- Part III. Female Bodies in the Language of Art: 7. Disrobing the virgin: the Madonna Lactans in fifteenth-century Florentine art Megan Holmes
- 8. Donna/Dono: Chivalry and adulterous exchange in the Quattrocento Chad Coerver
- 9. Idol or ideal? The power and potency of female public sculpture Geraldine A. Johnson
- Notes
- Index.
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