The mask of Venice : masking, theater & identity in the art of Tiepolo & his time
Author(s)
Bibliographic Information
The mask of Venice : masking, theater & identity in the art of Tiepolo & his time
University of California, Berkeley Art Museum in association with the University of Washington Press, c1996
- Other Title
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Masking, theater & identity in the art of Tiepolo & his time
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Note
Includes bibliographical references (p. 116-119)
Description and Table of Contents
Description
The Mask of Venice looks at the mask, both literal and figurative, as a way of approaching the rich artistic production of 18th-century Venice. Timed to coincide with the 300th anniversary of the birth of Giambattista Tiepolo, the book explores the visual representation of masking as a metaphor for disguise and freedom in the otherwise rigidly controlled society of the time. Moving from images of masking in Venetian society, to the derivation of the mask from the commedia dell'arte, to the use of theatrical devices both to hide and reveal character in the visual arts, The Mask of Venice studies the social world as well as the world of artistic imagination. This trajectory through the liberation of the mask ultimately allows us to unmask, at least in part, the often mysterious work of Tiepolo himself.
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