書誌事項

The plays of Lord Byron : critical essays

edited by Robert Gleckner and Bernard Beatty

(Liverpool English texts and studies / general editor, Philip Edwards, v. 29)

Liverpool University Press, 1997

  • : cased
  • : paper

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注記

Bibliography: p. 379-390. - Includes index

内容説明・目次

内容説明

A collection bringing together in a single volume a number of the best twentieth-century essays on Byron's dramas, together with comprehensive bibliographies on each of them.

目次

Acknowledgements Introduction Byron's Stage Fright: the History of his Ambition and Fear of Writing for the Stage - David V. Erdman Venice Preserved - Malcolm Kelsall 'Agonized Self-Conflict': Marino Faliero - G. Wilson Knight Byron's Marino Faliero and the Force of Individual Agency - A. B. England Marino Faliero and the Fault of Byron's Satire - Jerome Christensen 'Studiously Greek': The Two Foscari - Jerome J. McGann 'Suppressed Passion': The Two Foscari - Peter J. Manning 'My Hope Was to Bring Forth Heroes': The Two Foscari and the Fostering of Masculine Virtu by [a] Stoical Heroine - Caroline Franklin 'Simple' and 'Bright': Sardanapalus - G. Wilson Knight 'A Problem Few Dare Imitate': Sardanapalus and 'Effeminate Character' - Susan J. Wolfson Byron's Cain and the Antimythological Myth - David Eggenschweiler Byron's Lapse into Orthodoxy: an Unorthodox Reading of Cain - Daniel M. McVeigh Orthodoxy and Unorthodoxy in Heaven and earth - Murray Roston and Jerome J. McGann On the Borders of Heaven and Earth - Alan Richardson The Devil as Doppelganger in The Deformed Transformed: the Sources and Meaning of Byron's Unfinished Drama - Charles E. Robinson The Ideological Dimensions of Byron's The Deformed Transformed - Daniel P. Watkins The Sins of the Father: Werner - Peter J. Manning Bibliography Index of Proper Names and Works

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