The entertainer, The hotel in Amsterdam, West of Suez, and Time present
Author(s)
Bibliographic Information
The entertainer, The hotel in Amsterdam, West of Suez, and Time present
(Faber contemporary classics, . Plays / John Osborne ; 2)
Faber, 1998
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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Description and Table of Contents
Description
This second collection of John Osborne's dramatic work includes The Entertainer, The Hotel in Amsterdam, West of Suez and Time Present.
'A lifelong satirist of prigs and puritans, whether of the Right or Left, he took no hostages, expecting from other people the same unyielding, unflinching commitment to their view of the truth which he took for granted in his own. Of all the British playwrights of the twentieth century he is the one who risked the most. And risking most, frequently offered the most rewards.' David Hare, Spectator
'Osborne was an instinctive writer, but he had genius in his early years for capturing the national mood and conveying undiluted feeling... one wonders whether any of the bright new talents will have the courage to do what Osborne did in the past: to encapsulate on the tiny stage the state of the nation at large.' Guardian
Praise for The Entertainer
'The rancid, dead-accurate domestic dialogue is a joy, with cliches dropping like bats from the ceiling... the play becomes a flamboyant coronach for England's lost greatness, enshrining one of the great characters in modern drama.' Daily Telegraph
'Like all Osborne's best work, this is a play about personal failure, individual desolation, the frustration of a community. One of the reasons why Osborne changed the face of English theatre is that he made passionate personal drama out of a national malaise.' Sunday Times
by "Nielsen BookData"