Signs and meaning in eighteenth-century art : epistemology, rhetoric, painting, poesy, music, dramatic performance, and G.F. Handel
著者
書誌事項
Signs and meaning in eighteenth-century art : epistemology, rhetoric, painting, poesy, music, dramatic performance, and G.F. Handel
（American university studies, Series XX . Fine arts ; vol. 33）
Peter Lang, c1997
- タイトル別名
-
Signs and meanings in 18th-century art
大学図書館所蔵 件 / 全5件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [371]-397) and index
内容説明・目次
内容説明
Signs and Meaning explains historical assumptions about eighteenth-century art and performance, and the signs employed. It assumes that how artists thought they made art and how audiences thought they received it was how it was made, received, and understood. Eighteenth-century epistemological and rhetorical assumptions bring together meaning and practices of rhetoric, philosophy, literature, painting, dramatic performance, and music. Musical drama shows the widest range of signs for an audience, presenting and representing the passions as the basis for the understanding of human nature and actions. This book starts with explanations of assumptions, and ends with analyses of G. F. Haendel's dramatic oratorios.
「Nielsen BookData」 より