Painting and private life in eleventh-century China : Mountain villa by Li Gonglin
著者
書誌事項
Painting and private life in eleventh-century China : Mountain villa by Li Gonglin
Princeton University Press, c1998
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [119]-148) and index
内容説明・目次
内容説明
In the eleventh century, the focus of Chinese painting shifted dramatically. The subject matter of most earlier works of art was drawn from a broadly shared heritage of political, religious, and literary themes. Late in the century, however, a group of scholar-artists began to make paintings that reflected the private experiences of their own lives. Robert Harrist argues here that no work illuminates this development more vividly than Mountain Villa, a handscroll by the renowned artist Li Gonglin (ca. 1041-1106). Through a detailed reading of the painting and an analysis of its place in the visual culture of Li's time, the author offers a new explanation for the emergence of autobiographic content in Chinese art. Harrist proposes that the subject of Li's painting - his garden in the Longmian Mountains - was itself a form of self-representation, since a garden was then considered a reflection of its owner's character and values. He demonstrates also that Li's turn toward the imagery of private life was inspired by the conventions of Chinese lyric poetry, in which poets recorded and responded to the experiences of their lives.
The book draws the reader into the artistic, scholarly, and political world of Li Gonglin and shows the profound influence of Buddhism on Chinese painting and poetry. It offers important insights not just into Chinese art, but also into Chinese literature and intellectual history.
目次
<TABLE><TR><TD> <TD>Acknowledgments <TR><TD>Ch. 1 <TD>The Face behind the Fan: Li Gonglin and Northern Song Painting <TR><TD>Ch. 2 <TD>A Walk through the Longmian Mountains <TR><TD>Ch. 3 <TD>The Transformed Landscape: Place and Persona in Northern Song Gardens <TR><TD>Ch. 4 <TD>Evoking the Past: Memories of Wang Wei and Lu Hong <TR><TD>Ch. 5 <TD>Mountain Villa and the Languages of Landscape in Eleventh-Century China <TR><TD>Ch. 6 <TD>Conclusion: Painting and Private Life <TR><TD>Appendix <TD>The Extant Copies of Mountain Villa <TR><TD> <TD>Notes <TR><TD> <TD>Bibliography <TR><TD> <TD>Glossary of Chinese Characters <TR><TD> <TD>Index <TR><TD> <TD>Illustrations
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