Voices of the nation : women and public speech in nineteenth-century American literature and culture
Author(s)
Bibliographic Information
Voices of the nation : women and public speech in nineteenth-century American literature and culture
（Cambridge studies in American literature and culture）
Cambridge University Press, 1998
- : hbk
Available at 51 libraries
Note
Revision of author's thesis (Ph. D.)--Trinity University
Bibliography: p. 167-180
Includes index
Description and Table of Contents
Description
Throughout the nineteenth century, American fiction displayed a fascination with women's speech - describing how women's voices sound, what happens when women speak and what reactions their speech produces, especially in their male listeners. Voices of the Nation argues that closer inspection of these recurring descriptions also performed political work that has had a profound - though unspecified to date - impact on American culture. Commentaries on the female voice were propounded by writers such as Henry James, William Dean Howells and Noah Webster, and these texts played a central role in attempts to define and enforce the radical social changes instituted by the emerging bourgeoisie.
Table of Contents
- Introduction
- The Voice of the Nation: Gender, Speech, and Nineteenth-Century American life
- 1. Bawdy talk: The Politics of Women's Speech in Henry James's The Bostonians and Sarah J. Hale's The Lecturess
- 2. 'Foul Mouthed Women': Disembodiment and Public Discourse in Herman Melville's Pierre and E.D.E.N. Southworth's The Fatal Marriage
- 3. Incarnate Words: Nativism, Nationalism, and the Female Body in Maria Monk's Awful Disclosures
- 4. Partners in Speech: Reforming Labor, Class, and the Working Woman's Body in Elizabeth Stuart Phelps's The Silent Partner
- 5. 'Queer Trimmings': Dressing, Cross-Dressing, and Women's Suffrage in Lillie Deereux Blake's Fettered for Life
- 6. Southern Oratory and The Slavery Debate in Caroline Lee Hentz's Planter's Northern Bride and Harriet Jacobs's Incidents in the Life of a Slave Girl
- Conclusion
- 'Every Wrong that Needs a Voice': Women and Political Activism at the Turn into the Twentieth Century.
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