African-American art
著者
書誌事項
African-American art
(Oxford history of art)
Oxford University Press, 1998
- : pbk
大学図書館所蔵 全31件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 283-299) and index
内容説明・目次
内容説明
African-American art has made an increasingly vital contribution to the art of the United States from the time of its origins in early-18th century slave communities. This book offers perspectives about race, class and gender, and slave and free black communities in the first half of the 19th century. It discusses folk and decorative arts such as ceramics, furniture, and quilts alongside fine art, sculptures, paintings, and photography during the 1800s. It examines the New Negro Movement of the 1920s, the Era of Civil Rights and Black Nationalism through the 1960s and 1970s, and the emergence of new black artists and theorists in the 1980s and 1990s. New evidence suggests different ways of looking at African-American art, confirming that it represents the culture and society from which it emerges. Sharon F. Patton explores significant issues such as the relationship of art and politics, the influence of galleries and museums, the growth of black universities, critical theory, the impact of artists' collectives, and the assortment of art practices since the 1960s.
目次
- Colonial America and the young republic 1700-1820
- 19th-century America, the Civil War and reconstruction
- 20th-century America and modern art 1900-60
- 20th-century America - the evolution of a black aesthetic. (Part contents).
「Nielsen BookData」 より