Streams of cultural capital : transnational cultural studies
著者
書誌事項
Streams of cultural capital : transnational cultural studies
(Mestizo spaces = Espaces métissés)
Stanford University Press, 1997
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
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  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Originally published in the Spring-Fall 1993 issue of SLR (Stanford Literary Review), v. 10, no. 1-2
内容説明・目次
- 巻冊次
-
ISBN 9780804730365
内容説明
This anthology examines the questions arising from the transpositions and recontextualizations of cultural objects across and between national borders: How is culture recognized, reconfigured, disseminated, appropriated, and practiced? How is cultural hegemony refused, diffused, absorbed, reproduced, and reconfigured, given the particularities of its interpolation into multiple contexts and under different pretexts by various agents? How is the materiality of culture correlated (or not) with the materiality of the economic? And how are these questions complicated by the fact that radically new technologies and modes of production have made the mass (and often illegal) (re)production and circulation of cultural objects less and less controllable and predictable and their points of origin more and more difficult to discern?
Transnational movements of cultural objects challenge the notion of a simply produced, disseminated, absorbed, and practiced universal world culture that is often understood simply as an amplified single-nation model. Instead, the essays in this book focus on uneven flows of culture, multidirectional currents of cultural objects, the relative value of these objects determined by the specificity of each transaction, and, perhaps most important, the indeterminate, syncretic nature of culture as capital even as its investment evinces the desire for a particular positionality.
This anthology presents both theoretical and highly empirical studies as an initial attempt to address precisely such issues regarding contemporary cultural formations and their functions. Though acknowledging the need to begin to theorize the impact of flows of cultural objects across diverse spaces, the essayists argue that these phenomena must be recognized as particular, historicized materializations of transnational movements that penetrate specifically constructed localities and demand particular scrutiny of unruly and as yet undisciplined practices.
All the essays, save two, originally appeared in 1993 as a special issue of Stanford Literature Review. For this volume, the editors have written completely new essays, an Introduction by David Palumbo-Liu and an Epilogue by Hans Ulrich Gumbrecht.
目次
- Introduction: unhabituated habituses David Palumbo-Liu
- 1. Consumption, duration, and history Arjun Appadurai
- 2. Marie in Japan Jean-Francois Lyotard
- 3. Identity in writing
- four decades of Corsican identity construction, 1890-1936 Anne Knudsen
- 4. Monumentalizing identity: the discursive practices of hegemony in Australia Bruce Kapferer and Judith Kapferer
- 5. A capital idea: producers, consumers and reproducers in 'the merchandising of our type of democracy' Mary N. Layoun
- 6. Determinations of remembering: postcolonial fictional genealogies of colonialism in Africa Biodun Jeyifo
- 7. Wide worlds in confined quarters: American movies on German television Irmela Schneider
- 8. Occidentalist theater in post-Mao China: Shakespeare, Ibsen, and Brecht as counter-others Xiaomei Chen
- 9. Streams out of control: the Latin American plot Carlos Ringon
- 10. A sort of homecoming: an archaeology of Disneyland Brad Prager and Michael Richardson
- 11. Value, representation and the discourse of modernization: toward a political economy of postindustrial culture Robert Weimann
- Epilogue: untenable positions Hans Ulrich Gumbrecht.
- 巻冊次
-
: pbk ISBN 9780804730372
内容説明
This anthology examines the questions arising from the transpositions and recontextualizations of cultural objects across and between national borders: How is culture recognized, reconfigured, disseminated, appropriated, and practiced? How is cultural hegemony refused, diffused, absorbed, reproduced, and reconfigured, given the particularities of its interpolation into multiple contexts and under different pretexts by various agents? How is the materiality of culture correlated (or not) with the materiality of the economic? And how are these questions complicated by the fact that radically new technologies and modes of production have made the mass (and often illegal) (re)production and circulation of cultural objects less and less controllable and predictable and their points of origin more and more difficult to discern? Transnational movements of cultural objects challenge the notion of a simply produced, disseminated, absorbed, and practiced universal world culture that is often understood simply as an amplified single-nation model.
Instead, the essays in this book focus on uneven flows of culture, multidirectional currents of cultural objects, the relative value of these objects determined by the specificity of each transaction, and, perhaps most important, the indeterminate, syncretic nature of culture as capital even as its investment evinces the desire for a particular positionality. This anthology presents both theoretical and highly empirical studies as an initial attempt to address precisely such issues regarding contemporary cultural formations and their functions. Though acknowledging the need to begin to theorize the impact of flows of cultural objects across diverse spaces, the essayists argue that these phenomena must be recognized as particular, historicized materializations of transnational movements that penetrate specifically constructed localities and demand particular scrutiny of unruly and as yet undisciplined practices. All the essays, save two, originally appeared in 1993 as a special issue of Stanford Literature Review. For this volume, the editors have written completely new essays, an Introduction by David Palumbo-Liu and an Epilogue by Hans Ulrich Gumbrecht.
目次
- Introduction: unhabituated habituses David Palumbo-Liu
- 1. Consumption, duration, and history Arjun Appadurai
- 2. Marie in Japan Jean-Francois Lyotard
- 3. Identity in writing
- four decades of Corsican identity construction, 1890-1936 Anne Knudsen
- 4. Monumentalizing identity: the discursive practices of hegemony in Australia Bruce Kapferer and Judith Kapferer
- 5. A capital idea: producers, consumers and reproducers in 'the merchandising of our type of democracy' Mary N. Layoun
- 6. Determinations of remembering: postcolonial fictional genealogies of colonialism in Africa Biodun Jeyifo
- 7. Wide worlds in confined quarters: American movies on German television Irmela Schneider
- 8. Occidentalist theater in post-Mao China: Shakespeare, Ibsen, and Brecht as counter-others Xiaomei Chen
- 9. Streams out of control: the Latin American plot Carlos Ringon
- 10. A sort of homecoming: an archaeology of Disneyland Brad Prager and Michael Richardson
- 11. Value, representation and the discourse of modernization: toward a political economy of postindustrial culture Robert Weimann
- Epilogue: untenable positions Hans Ulrich Gumbrecht.
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